Teens in the thick of creating identities themselves will find this riveting.
In 10 vignettes, Barton profiles successful imposters, both men and women.
Some assumed false identities for criminal purposes, others for self-preservation. Possibly the most famous of the 10 is Frank Abagnale, a master con-artist whose exploits were immortalized in the Steven Spielberg film Catch Me if You Can. Asa Earl Carter, a longtime Ku Klux Klan member, adopted the new first name of Forrest and passed himself off as a Cherokee to publish a fake memoir, The Education of Little Tree, a bestseller that became a favorite of middle- and high-school teachers. On the other side of the spectrum is Solomon Perel, a Polish Jew whose Aryan features enabled him to pass as an ethnic German, enroll in the Hitler Youth and survive the Holocaust. Ellen Craft's light-skinned features enabled her to pass as white. With her husband, William, posing as her slave, they audaciously boarded a train in Charleston, S.C., and journeyed to freedom in Philadelphia. Barton's use of the second-person point of view gives these stories dramatic tension and a sense of immediacy. Hoppe's graphic panels enhance this effect. The brevity of these profiles will appeal to reluctant readers and work well for reading aloud, but a little more back story for some characters might have clarified the motives for their masquerades.
Teens in the thick of creating identities themselves will find this riveting. (Nonfiction. 12 & up)Pub Date: April 14, 2011
ISBN: 978-0-8037-3310-7
Page Count: 144
Publisher: Dial Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
Best enjoyed by preexisting fans of the author.
Deaf, trans artist Man meditates on his journey and identity in this brief memoir.
Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.
Best enjoyed by preexisting fans of the author. (Memoir. 12-18)Pub Date: June 1, 2021
ISBN: 978-0-593-22348-2
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
Like many grammar books, this starts with parts of speech and goes on to sentence structure, punctuation, usage and style....
As she does in previous volumes—Grammar Girl’s Quick and Dirty Tips for Better Writing (2008) and The Grammar Devotional (2009)—Fogarty affects an earnest and upbeat tone to dissuade those who think a grammar book has to be “annoying, boring, and confusing” and takes on the role of “grammar guide, intent on demystifying grammar.”
Like many grammar books, this starts with parts of speech and goes on to sentence structure, punctuation, usage and style. Fogarty works hard to find amusing, even cheeky examples to illustrate the many faux pas she discusses: "Squiggly presumed that Grammar Girl would flinch when she saw the word misspelled as alot." Young readers may well look beyond the cheery tone and friendly cover, though, and find a 300+-page text that looks suspiciously schoolish and isn't really that different from the grammar texts they have known for years (and from which they have still not learned a lot of grammar). As William Strunk said in his introduction to the first edition of the little The Elements of Style, the most useful grammar guide concentrates attention “on a few essentials, the rules of usage and principles of composition most commonly violated.” After that, “Students profit most by individual instruction based on the problems of their own work.” By being exhaustive, Fogarty may well have created just the kind of volume she hoped to avoid.Pub Date: July 5, 2011
ISBN: 978-0-8050-8943-1
Page Count: 304
Publisher: Henry Holt
Review Posted Online: May 20, 2011
Kirkus Reviews Issue: June 1, 2011
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