A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Abigail Adams, wife and mother of American presidents, with a remarkable story of her own, gets a rather dull introduction to her life in Wallner's (Sergio and the Hurricane, 2000, etc.) picture-book biography. Wallner's text plods through Abigail's life, noting important dates and events, particularly the birth of all her children. Abigail supports her husband in his fight for independence at home, where she runs the family farm and manages the finances and her growing family. She also joins Adams in England when he is ambassador there. Later, she becomes the first president's wife to live in the White House. Abigail is shown as a strong woman, disappointed in her efforts to win a place for women and blacks in the new Constitution. Readers learn about Abigail's thoughts and personality as she matures from child to adult, from homemaker to public figure, but unfortunately we do not hear more than a few phrases in Abigail's own voice. Abigail, who is known through her many published letters, was a lively and interesting correspondent and little of that liveliness permeates this effort. The author's folkart-style illustrations depict a homely group of colonialists in pleasantly colorful detail. A timeline and bibliography would have been helpful to young researchers. This intelligent, early feminist and civil-rights advocate deserves better. (Biography. 8-10)
Pub Date: March 15, 2001
ISBN: 0-8234-1442-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Darkly moody illustrations capture a daredevil’s successful stunt. In 1901, “short, plump, and fussy” Annie Edson Taylor is 62 years old. Her charm school folds, and she fears “the poorhouse, an unhappy place where old people without money or a family… live out their years.” Annie’s no thrill-seeker, just astoundingly matter-of-fact and audacious—so she decides to be the first person to go over Niagara Falls in a barrel. As Annie designs her own barrel, “with iron bands wrapped around it” and a leather belt and metal handles inside, Van Allsburg uses scale and angle for drama. Annie meticulously squints down an oak plank to choose the best one; a close-up of a broken egg oozing out of a can speaks volumes about Annie’s potential experience. The highly skilled black-and–antique-cream drawings have a bleak, unsettling vibe, matching first the danger of the feat and then Annie’s disappointment at the lack of financial profit, for this was to be her road to security. On tour, audiences are skeptical or bored to see that “the fearless ‘Queen of the Falls’ [is] a little old lady.” At the end, Annie claims contentment, but it’s hard to believe; still, daredevil fans will appreciate the triumphant stunt and the details of how it worked. An odd, unsettling meditation on fame. (author’s note, bibliography, list of barrel riders) (Informational picture book. 7-10)
Pub Date: April 4, 2011
ISBN: 978-0-547-31581-2
Page Count: 40
Publisher: Houghton Mifflin
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
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