by Chris Ferrie ; illustrated by Susan Batori ‧ RELEASE DATE: Sept. 3, 2019
An unpalatable mess left half-baked by an ill-conceived gimmick.
Modeling a classic nursery song, a black hole does what a black hole does.
Ferrie reverses the song’s customary little-to-large order and shows frequent disregard for such niceties as actual rhymes and regular metrics. Also playing fast and loose with internal logic, she tracks a black hole as it cumulatively chows down, Pac-Man–style, on the entire universe, then galaxies (“It left quite a cavity after swallowing that galaxy”), stars, planets, cells, molecules, atoms, neutrons, and finally the ultimate: “There was a black hole that swallowed a quark. / That’s all there was. / And now it’s dark.” Then, in a twist that limits the audience for this feature to aging hippies and collectors of psychedelic posters, the author enjoins viewers to turn a black light (not supplied) onto the pages and flip back through for “an entirely different story.” What that might be, or even whether a filtered light source would work as well as a UV bulb, is left to anybody’s guess. The black hole and most of its victims sport roly-poly bodies and comically dismayed expressions in Batori’s cartoon illustrations—the universe in its entirety goes undepicted, unsurprisingly, and the quark never does appear, in the visible spectrum at least. This anthropomorphization adds a slapstick element that does nothing to pull the physics and the premise together.
An unpalatable mess left half-baked by an ill-conceived gimmick. (Picture book. 6-8)Pub Date: Sept. 3, 2019
ISBN: 978-1-4926-8077-2
Page Count: 40
Publisher: Sourcebooks eXplore
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Gabrielle Balkan ; illustrated by Sam Brewster ‧ RELEASE DATE: Sept. 18, 2017
A rib-tickling gallery, anything but dry.
The inside stories on 10 creatures who can lay claim to bone-y extremes.
Framed as a “Who am I?” guessing game, the illustrations alternate simplified white skeletons on solid black backgrounds on rectos with, on those pages’ versos, painted views of the fleshed-out creatures featuring invisible but raised bones that can be felt. In accompanying clues and narratives in the voices of the creatures, Balkan makes much use of colorful comparisons and atypical but revealing units of measure: “Not counting my tail,” the Etruscan shrew (smallest bones) notes, “my SKELETON is the size of a paperclip and weighs less than a single raisin!” Likewise, thanks to having the largest mandible (i.e., bone of any sort), a blue whale boasts “I could fit one hundred of your friends on my tongue.” (“But don’t worry. I don’t eat humans.”) The author makes no bones about playing fast and loose with the premise, admitting that some “records” are speculative—which bird has the lightest bones? “Let’s not quibble,” responds the peregrine falcon—and slipping in a moot claim that the hammerhead shark has the “fewest bones” because its skeleton isn’t bone at all but cartilage. Still, as she points out at beginning and end, all of the bones here have human equivalents, and that connection should give both casual browsers and budding naturalists plenty to gnaw on.
A rib-tickling gallery, anything but dry. (bibliography) (Informational picture book. 6-8)Pub Date: Sept. 18, 2017
ISBN: 978-0-7148-7512-5
Page Count: 48
Publisher: Phaidon
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Ian Graham ; illustrated by Stephen Biesty ‧ RELEASE DATE: Oct. 17, 2017
A small but choice set of technological marvels for budding trainiacs.
A parade of locomotives, from the sprightly Patentee of 1833 to the next generation of maglev speedsters.
Drawn with Biesty’s customary superfine linework and meticulous attention to detail, the eight spread-filling behemoths here (all shown pulling just one or two passenger cars except for one diesel engine with a longer line of diverse freight carriers) are viewed from high or low angles to accentuate their massive bulk and dramatic lines. All are kitted out with flaps to afford viewers inside glimpses of boilers and engines, passenger accommodations, and control rooms. There are also numerous descriptive labels and smaller images arranged around the featured train in each spread. Though the small passengers and crew all seem to be white, they do effectively convey senses of scale and period. Like other entries in the Inside Story series, heavy paper stock and rounded corners afford at least a certain amount of durability.
A small but choice set of technological marvels for budding trainiacs. (Informational novelty. 6-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-7636-9647-4
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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