Next book

CADDYSHACK

THE MAKING OF A HOLLYWOOD CINDERELLA STORY

The book doesn’t quite hit the insightful levels of those by Scott Eyman or David Thomson, just as the film isn’t quite The...

An everything-you-ever-wanted-to-know-about look at a cult movie whose reputation has grown in the four decades since its initial release.

Entertainment Weekly film critic Nashawaty (Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses: Roger Corman: King of the B Movie, 2013) ventures that Caddyshack (1980) first took shape as a kind of lesser entry in a flurry of films born of the nexus of Saturday Night Live, the National Lampoon, and massive piles of cocaine: The Blues Brothers, Meatballs, Animal House, etc. It was also a more pointed exercise in class warfare at the outset than when it eventually emerged, many drafts later, to critical indifference. Putting on his Peter Biskind hat, Nashawaty connects this subversiveness to more serious films such as Mean Streets and Easy Rider while seeing it as a generational repudiation of comparatively treacly fare such as Clint Eastwood’s orangutan comedies and the Smokey and the Bandit franchise. Though born of the free-wheeling, madcap cohort of fledgling director Harold Ramis (who called the movie his “$6 million scholarship to film school”) and writers Brian Doyle-Murray and the doomed Doug Kenney, Caddyshack was thoroughly vetted by studio hacks—fortunately, no one listened to them. Nashawaty steers readers through now-familiar scenes, such as Bill Murray’s near-lethal wielding of a pitchfork and Chevy Chase’s suave twitting of the uber-rich Ted Knight, brought to warp speed with the arrival of Rodney Dangerfield. What is constantly surprising, and most pleasantly so, is how these scenes could have been very different had other roads been taken—e.g., had the overburdened Bill Murray not found a spare few weeks to film and not been given free rein to improvise or had the casting director been able to land Mickey Rourke in the place of Michael O’Keefe for the central (though, in the final product, somewhat diminished) role of Danny Noonan.

The book doesn’t quite hit the insightful levels of those by Scott Eyman or David Thomson, just as the film isn’t quite The Maltese Falcon. Still, Nashawaty provides an eye-opening pleasure for Caddyshack fans.

Pub Date: April 24, 2018

ISBN: 978-1-250-10595-0

Page Count: 304

Publisher: Flatiron Books

Review Posted Online: Oct. 29, 2017

Kirkus Reviews Issue: Dec. 1, 2017

Next book

WHEN THE GAME WAS OURS

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

NBA legends Bird and Johnson, fierce rivals during their playing days, team up on a mutual career retrospective.

With megastars LeBron James and Kobe Bryant and international superstars like China’s Yao Ming pushing it to ever-greater heights of popularity today, it’s difficult to imagine the NBA in 1979, when financial problems, drug scandals and racial issues threatened to destroy the fledgling league. Fortunately, that year marked the coming of two young saviors—one a flashy, charismatic African-American and the other a cocky, blond, self-described “hick.” Arriving fresh off a showdown in the NCAA championship game in which Johnson’s Michigan State Spartans defeated Bird’s Indiana State Sycamores—still the highest-rated college basketball game ever—the duo changed the course of history not just for the league, but the sport itself. While the pair’s on-court accomplishments have been exhaustively chronicled, the narrative hook here is unprecedented insight and commentary from the stars themselves on their unique relationship, a compelling mixture of bitter rivalry and mutual admiration. This snapshot of their respective careers delves with varying degrees of depth into the lives of each man and their on- and off-court achievements, including the historic championship games between Johnson’s Lakers and Bird’s Celtics, their trailblazing endorsement deals and Johnson’s stunning announcement in 1991 that he had tested positive for HIV. Ironically, this nostalgic chronicle about the two men who, along with Michael Jordan, turned more fans onto NBA basketball than any other players, will likely appeal primarily to a narrow cross-section of readers: Bird/Magic fans and hardcore hoop-heads.

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

Pub Date: Nov. 4, 2009

ISBN: 978-0-547-22547-0

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

Next book

BACK FROM THE DEAD

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”

Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

Pub Date: March 8, 2016

ISBN: 978-1-4767-1686-2

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Dec. 18, 2015

Kirkus Reviews Issue: Jan. 1, 2016

Close Quickview