Rarely, perhaps never, has so steep an emotional arc been drawn with such utter, winning simplicity.

A BALL FOR DAISY

A little dog and her big ball map an inner life rich in heights of joy and depths of sorrow.

Sticking strictly to pictures—using neutral washes and just a few colors applied in broad, rumpled brushstrokes—Raschka follows floppy-eared Daisy and her large red ball on a walk to the park and a happy chase. Then disaster strikes, when a rougher dog horns in and pops the ball. Even very young viewers will feel Daisy’s pain as she passes in stages through incomprehension, dismay and anger to, at last, a bone-deep sadness that is brilliantly evoked by successive views of the droopy dog slowly sinking into a sofa’s cushions. Doggy delight rekindles, however, when another visit to the park finds the offending pooch and its owner waiting…with a new, blue ball! The final scene of Daisy and ball snuggled together on the sofa positively radiates canine content.

Rarely, perhaps never, has so steep an emotional arc been drawn with such utter, winning simplicity. (Picture book. 2-5)

Pub Date: May 10, 2011

ISBN: 978-0-375-85861-1

Page Count: 34

Publisher: Schwartz & Wade/Random

Review Posted Online: Nov. 16, 2011

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An adventurous treat of a bedtime story.

BEDTIME FOR SWEET CREATURES

A patient mother with a healthy sense of whimsy helps prepare her headstrong toddler for bed.

The story opens with a toddler, fists raised into the air, proclaiming, “No! No! No!” Thank goodness this not-at-the-moment-sweet creature’s mother is patient and creative as she corrals her child into a bedtime routine that may feel familiar to many readers. The words and behaviors of the child evading bed are translated into animal sounds and behaviors: wide-eyed and asking “Who? Who?” like an owl; shaking hair and roaring like a lion; hanging on for a hug like a koala. And, of course, the requisite leaving bed for a last trip to the bathroom and drink, like a human child. Zunon’s art takes this book to the next level: Her portrayals of the animals mentioned in the text are colorful and full of intriguing patterns and shapes. Additionally, the expressions on the faces of the mother, child, and animals speak volumes, portraying the emotions of each. Arguably, the sweetest part of the story comes at the end, when the child asks to sleep with Mommy and Dad. Though the mother sighs, the child climbs in, along with “owl, bear, snake, kitty, fawn, squirrel, koala, tiger, wolf.” (Readers attuned to details will notice the father’s look of delight at the parade of animals.) All characters are Black.

An adventurous treat of a bedtime story. (Picture book. 2-5)

Pub Date: Jan. 14, 2020

ISBN: 978-1-4926-3832-2

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Sept. 15, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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Skip this well-meaning but poorly executed celebration.

I LOVE DADDY EVERY DAY

Children point out the things they love about their fathers.

“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.

Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)

Pub Date: March 24, 2020

ISBN: 978-0-593-12305-8

Page Count: 32

Publisher: Rodale Kids

Review Posted Online: March 18, 2020

Kirkus Reviews Issue: April 1, 2020

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