MAMA BABY

A mother and child interact in familiar ways in Raschka’s latest, which uses unique formatting to stand out from the crowd.

Mama and baby face each other across the gutter on the first spread, and then the pages’ orientations change. Mama is still on verso, baby on recto, but now they are sideways if the book is traditionally oriented. To see each right side up, readers will need to turn the book first 90 degrees clockwise to see the adult right way up and then a full 180 degrees to likewise see the child. The design is clearly meant to emphasize the mirroring that occurs between parent and child as they interact: smiles; clapping; hiding behind hands and then “Peek-a-boo!”; “Pat-a-cake.” (Even the text is hand-lettered sideways.) One interaction near the ending may be too on-the-nose: On the mom’s side, musical notes appear and her eyes slide sideways. The next three spreads show baby alone, expression modulating from pouty questioning (“Mama?”) to surprise to an open-mouthed wail that brings Mama back. The baby’s “up up” appears before the book returns to a traditionally oriented spread of the two cuddling. Raschka’s watercolors are very simple, showing each from midchest up. Mama has dark hair and slightly darker skin than blond Baby’s fair skin and light hair; both have pinkish spots on their cheeks and large, pouty lips.

Cleverly shows mirroring in action, though the manipulation required may make sharing difficult.