HOW STAR WARS CONQUERED THE UNIVERSE

Help us, Obi-wan: There’s a Star Wars sequel looming, and it may just feature—shudder—Jar Jar Binks.

If you’re a real fan of the Star Wars series, observes Mashable deputy editor Taylor, then you’re likely a hater, whether of Jar Jar or of “the whiny delivery of Mark Hamill” or of those damnably cute Ewoks. George Lucas has given us plenty to hate, though the spectacle of a young, bikini-clad Carrie Fisher lashed to the post is probably not one of those things, even if, in that garb, she’s been turned into a doll for sale to the perverted and the innocent-minded alike. More to the point, as Taylor notes in his opening pages, there’s scarcely a corner of the world that isn’t aware at least dimly of Star Wars; one of the series has even been dubbed into Navajo in time for one of the last of the old-time Code Talkers to see it before moving on to another galaxy. Taylor’s book feels occasionally like an assemblage of oddments and statistics, but mostly he stays right on track in charting how Star Wars moved from film to meme to near universal standard cultural referent. (Say, “I’m your father” in a James Earl Jones voice in just about any language, and the audience will get it.) Better than that is the author’s account of the origins of the series and his look at what Star Wars has wrought over the last four decades, including a true revolution in many aspects of filmmaking. If Lucas had died in the car crash he suffered in 1962, Taylor notes, then among other things, Hollywood would be “without much of a special effects industry.”

A smart, engaging book for the completist that only suffers from being a touch too complete; it could have lost 100 pages easily. Still, welcome reading for fans of Star Wars—or, for that matter, of THX 1138.