A fierce 13-year-old girl propels this dark, moving thriller.

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WE BEGIN AT THE END

A police chief who never grew up and a girl who never had a childhood try to solve the murder of someone they love.

A tiny, picturesque town on the California coast is an emotional prison for the characters of this impressive, often lyrical thriller. Its two main characters are a cop with an improbable naïveté and a child too old for her years. Walk (short for Walker, his last name) is chief of the two-person police department in Cape Haven and a native son. He’s kind and conscientious and haunted by a crime that occurred when he was a teenager, the death of a girl named Sissy Radley, whose body Walk discovered. Duchess Radley is that child’s niece, the daughter of Star Radley, the town’s doomed beauty. Most men lust after Star, including several of her neighbors and perhaps a sinister real estate developer named Dickie Darke. But Star is a substance abuser in a downward spiral, and her fatherless kids, Duchess and her younger brother, Robin, get, at best, Star’s benign neglect. Walk, who’s known Star since they were kids, is the family’s protector. As the book begins, all of them are coming to terms with the return to town of Vincent King. He’s Walk’s former best friend, Star’s former boyfriend, and he’s served a 30-year prison term for the death of Sissy (and that of a man he killed in prison). Someone will end up dead, and the murder mystery structures the book. But its core is Duchess, a rage-filled girl who is her brother’s tender, devoted caretaker, a beauty like her mother, and a fist-swinging fighter who introduces herself as “the outlaw Duchess Day Radley.” Whitaker crafts an absorbing plot around crimes in the present and secrets long buried, springing surprises to the very end.

A fierce 13-year-old girl propels this dark, moving thriller.

Pub Date: March 2, 2021

ISBN: 978-1-250-75966-5

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A whimsical fantasy about learning what’s important in life.

THE MIDNIGHT LIBRARY

An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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