by Chris Willman ‧ RELEASE DATE: Nov. 17, 2005
Full of surprises—who knew that Merle Haggard and Johnny Cash hated Dubya so?
Country is, by definition, the music of country people. But it’s now the province of the suburbanites, and the suburbanites have gone fascist, and so has mainstream country music.
So run the main outlines of Entertainment Weekly writer Willman’s study of country music in the modern era, though his argument proceeds with considerably greater nuance. Country has always been full of politics, but that all changed when Garth Brooks came along and dumbed it down for an increasingly dumb audience. Then along came Natalie Maines of the Dixie Chicks to profess shame for being from Texas, whose governor-turned-president was now looking for a war. All hell broke loose: The suburbanites had pitchforks and torches, and only one big radio station in the country would play the Chicks’ treasonous (and hitherto hit-making) music. Willman goes into much detail on the Maines event, which had the effect of drawing out the cryptorightists in Nashville to rally round the flag: Travis Tritt, the awful Brooks & Dunn, the still more awful Toby Keith. Even the nonpolitical Vince Gill was heard mouthing Bushian pieties, though his pal Rodney Crowell insists that Vince is really a liberal at heart. (Steve Earle—who admits to packing up for New York because the split-level hicks are getting just a little too scary—vouches for Gill’s credentials, too.) Willman’s stroll through the minefields is engaging, and he tries to be evenhanded, though those scary hicks sometimes move him to passion, as when he notes, relative to an anti-Maines protest featuring a demonstrator who’s been loudly accusing Chicks fans of lesbianism in the presence of his teenage daughter, “nothing says ‘joint custody’ like a night of father/daughter dyke baiting.”
Full of surprises—who knew that Merle Haggard and Johnny Cash hated Dubya so?Pub Date: Nov. 17, 2005
ISBN: 1-59558-017-4
Page Count: 320
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2005
Share your opinion of this book
by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Share your opinion of this book
More by Charlayne Hunter-Gault
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
Share your opinion of this book
More by David Hajdu
BOOK REVIEW
by David Hajdu ; illustrated by John Carey
BOOK REVIEW
by John Carey
BOOK REVIEW
by John Carey
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.