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EMPTY THE PEWS

STORIES OF LEAVING THE CHURCH

An incendiary but profoundly moving deconstruction of conservative Christianity.

Awards & Accolades

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A timely collection of essays by a diverse group of people who’ve left the religious right.

This Eos Award–winning book features an assortment of written works from men and women who grew up attending fundamentalist and evangelical Christian churches but eventually went their own way. The book should be especially praised for its inclusion of a wide range of perspectives. The authors of the nearly two dozen essays here include multiple New York Times-bestselling writers, popular bloggers, artists, and academics; they include white men, feminists, African Americans, members of the LGBTQ community, Protestants, and Catholics. The book’s debut editors are at the vanguard of the bourgeoning “exvangelical” movement on social media; Stroop created the viral Twitter hashtags #EmptyThePews and #ChristianAltFacts, and O’Neal co-hosts the “Sunday School Dropouts” podcast. The book’s foreword is by Frank Schaeffer, the son of Francis Schaeffer, an ideological founder of the modern-day religious right and an evangelical icon from the 1970s through the ’90s. Each essay addresses what the younger Schaeffer calls America’s “generational exodus from toxic Christianity” from the perspective of former members. Although many of the authors here are currently atheists, others found spirituality in Eastern spiritualism or in more liberal interpretations of Christianity. The collection’s opening section, “Purity Culture, Sexuality, and Queerness,” is perhaps its most damning, featuring the stories of abuse survivors, gay people, and other victims of conservative Christians’ sexual repression and hypocrisy. Boy Erased author Garrard Conley’s essay, “Land of Plenty,” on his endurance of gay “conversion therapy,” is particularly poignant. Not all of the essays, though, center on traumatic experiences as the factor that led their authors to leave the church. Peter Counter’s contribution, “Saint Tornado-Kick,” for example, intriguingly shows the gradual transition of a sincere Catholic teenager away from the faith of his parents after taking up karate lessons. Overall, this is a profound, well-written collection that will appeal not just to “exvangelicals” and other critics of the religious right, but also introspective fundamentalists who seek explanations for their dwindling numbers.

An incendiary but profoundly moving deconstruction of conservative Christianity.

Pub Date: Dec. 1, 2019

ISBN: 978-1-946093-07-3

Page Count: 280

Publisher: Epiphany Publishing

Review Posted Online: July 25, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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