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THREE GENIE BROTHERS

Middle-grade fantasy with some enchanting twists.

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A young girl stumbles into a magical world in debut author Kueng’s delightfully magical romp.

Brianna Carruthers loves visiting her grandparents, even if her visits are tainted by reminders of her aunt Casey’s disappearance years ago. She’s enjoying a peaceful visit filled with mini golf and plenty of good books to read until she starts hearing mysterious voices echoing through her favorite reading spot. Although Brianna doesn’t know it, the voices belong to three young genie triplets, JD, Morgan and Blake. The boys are fascinated as they watch the life of the human “Outsiders” who live outside their bottle, and they’ve never known a human who could hear them without opening the bottle. When a popular book gives Brianna a clue about the source of the mysterious voices, she’s prompted to open the bottle, and the genies’ and Outsiders’ worlds collide. The triplets know they’re in trouble when Brianna becomes their new master, and they’re determined to hide the truth from their parents, who are also genies in the bottle. At first, it seems as though the boys can pull it off, but when Brianna gets trapped in the genies’ bottle, even their precocious genie skills might not be enough. Will Brianna be trapped in the bottle forever, and will her grandparents repeat the sad experience of watching a family member disappear? Filled with warmth and whimsy, this middle-grade fantasy is sure to please. Readers who have tired of wizard schools and secret worlds will be excited to find these expected fantasy elements spiced up by the novelty of the genie world, which adds just the right touch of newness to the tried-and-true fantasy formula.

Middle-grade fantasy with some enchanting twists.

Pub Date: Dec. 21, 2012

ISBN: 978-1475961843

Page Count: 270

Publisher: iUniverse

Review Posted Online: Dec. 10, 2014

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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