Sensitive and empathetic; offers excellent suggestions for coping with the harsh reality of caring for elderly parents.

I WANT TO GO TO LITHUANIA OR HOW TO HAVE FUN WITH YOUR AGING PARENTS

In this guide, a music and creative arts therapist advises caregivers of aging parents.

A former director of a senior center, Conroy (One Man’s Music, 2008) shares personal insights into the challenges associated with caring for elderly loved ones. Much of this short book focuses on the inevitable emotional baggage that exists between adult child and aging parent, demonstrating that truly understanding the relationship one has with one’s mother or father is the basis for compassionate caregiving. Conroy draws from her professional experiences as well as the trying interactions she had with her own father, lending an intimate slant to this instructional manual. She suggests that the caregiver needs to identify “Three Truths” (“your parent’s basic personality type,” “your relationship to your parent,” and “what your parent needs to feel validated and whole”) to be most effective. The author’s well-constructed description of the four “dysfunctional” parent personality types is likely to resonate with caregivers. Her strategies for dealing with these personalities are simple yet dramatic in their impact. She learned, for example, that her “dad’s passion was talking about himself,” something that “did not interest me, but I was willing to be bored, in order to please him.” Conroy explains the ingenious way she leveraged this factor to construct a situation in which both she and her father could be entertained. Not surprisingly, some of the techniques the author uses revolve around music, and it is a delight to read how this universal language brings joy to senior center residents. One of the more intriguing observations the author makes is that “compassionate lies” are not only acceptable, but also necessary. In the case of her father, Conroy lied to him about where she was getting the money to pay for his home attendants so he would accept the care. “I hated lying to my father,” writes Conroy, “but I had no alternative….This lie injured no one....It insured my father’s safety, and saved my sanity.” Conroy’s descriptive text is augmented by cartoon illustrations by her husband, Larry.

Sensitive and empathetic; offers excellent suggestions for coping with the harsh reality of caring for elderly parents.

Pub Date: May 1, 2017

ISBN: 978-1-934912-77-5

Page Count: 85

Publisher: Black Lyon Publishing

Review Posted Online: Aug. 23, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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