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OUT OF THE GARDEN

WOMEN WRITERS ON THE BIBLE

A group of really smart women give astute readings of the Bible that, for the most part, subscribe to neither religious nor feminist orthodoxies. Happily, what Daphne Merkin, in her irreverent and surprising reading of The Song of Songs, calls the ``contemporary jargon- infused orthodox-feminist redactor...er, reader'' is virtually absent here. The 28 contributors to this volume are Jewish, Protestant, and Catholic, and they offer varied (and sometimes provocatively conflicting) insights into characters and events in the Old Testament. They are most successful when, in the best tradition of biblical interpretation, they fill in the gaps in the sometimes spare narrative, closely questioning the motives and morals of the actors (male and female, human and divine) and uncovering the messages embedded in the text. The pieces range from the personal (e.g., Rebecca Goldstein's urgent childhood quest to know why Lot's wife looked back), to the rigorously analytical (e.g., Ilana Pardes's structuralist paralleling of the sibling strife between Rachel and Leah with that between Jacob and Esau), to the political (e.g., Patricia J. Williams links Pharaoh's daughter saving the baby Moses, and thus thwarting the attempted genocide of the Jews, with contemporary questions of race, family, government intrusion into reproductive issues). BÅchmann, a doctoral candidate in English literature (Univ. of California, Berkeley), refrains from the modern impulse to condemn Isaiah's portrait of God as ``savage and extravagant''; Lore Segal accepts the contradictions of a God who often changes his mind (``how else could one God encompass everything?''). Among the few less convincing entries are attempts to rehabilitate the reputation of biblical bad girl Delilah (by Fay Weldon, who seems to have little use for the Bible altogether) and Putnam senior editor Spiegel's evaluation of Queen Esther and her predecessor, Vashti, as feminist role models. A rewarding anthology by women who take the Bible seriously and on its own terms, as a literary, ethical, and spiritual expression.

Pub Date: Aug. 1, 1994

ISBN: 0-449-90692-2

Page Count: 352

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 1994

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WHAT I KNOW FOR SURE

Honest messages from one of America's best known women.

A compilation of advice from the Queen of All Media.

After writing a column for 14 years titled “What I Know For Sure” for O, The Oprah Winfrey Magazine, Winfrey brings together the highlights into one gift-ready collection. Grouped into themes like Joy, Resilience, Connection, Gratitude, Possibility, Awe, Clarity and Power, each short essay is the distilled thought of a woman who has taken the time to contemplate her life’s journey thus far. Whether she is discussing traveling across the country with her good friend, Gayle, the life she shares with her dogs or building a fire in the fireplace, Winfrey takes each moment and finds the good in it, takes pride in having lived it and embraces the message she’s received from that particular time. Through her actions and her words, she shows readers how she's turned potentially negative moments into life-enhancing experiences, how she's found bliss in simple pleasures like a perfectly ripe peach, and how she's overcome social anxiety to become part of a bigger community. She discusses the yo-yo dieting, exercise and calorie counting she endured for almost two decades as she tried to modify her physical body into something it was not meant to be, and how one day she decided she needed to be grateful for each and every body part: "This is the body you've been given—love what you've got." Since all of the sections are brief and many of the essays are only a couple paragraphs long—and many members of the target audience will have already read them in the magazine—they are best digested in short segments in order to absorb Winfrey's positive and joyful but repetitive message. The book also features a new introduction by the author.

Honest messages from one of America's best known women.

Pub Date: Sept. 2, 2014

ISBN: 978-1250054050

Page Count: 240

Publisher: Flatiron View Books

Review Posted Online: Aug. 22, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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OPEN BOOK

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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  • New York Times Bestseller


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  • Rolling Stone & Kirkus' Best Music Books of 2020

The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor. One of Kirkus and Rolling Stone’s Best Music Books of 2020.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 15, 2020

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