A well-crafted, engaging novel about an ex-con trying to break free.
Hoag tells the story of a gang member’s attempts to flee his life of crime in this debut novel.
After 26 months in prison, 20-year-old Magdaleno “Mags” Argueta knows he can’t go back to his previous life as a member of the Cyco Lokos, one of Los Angeles’ most notorious Salvadoran street gangs. He’s hoping his time served will earn him veteran status, allowing him to walk away without repercussions. Unfortunately, his crew is now under the command of his chief rival, Rico, who’s less than sympathetic to his aspirations to go straight. What’s more, the only jobs available to a tatted-up ex-con like Mags are demeaning, such as passing out fliers on the sidewalk while dressed as a clown. At home, his family relationships remain strained: his mother sees him as a disappointment, his father as a source of shame, and his fireman brother makes him look irresponsible by comparison. His sister, Lissy, still treats him with affection, but he’s heard rumors that she’s hooked up with a member of a rival gang. Despite his pledges to stay out of trouble, Mags finds that no one believes he’s up to the task. His parole officer tells him, “The life’s not going to let you go so easy.” As hard as that is to hear, Mags knows that it might be the truth. Hoag is a talented writer, summoning Mags’ world on the page with remarkable empathy and detail: “The sidewalks were crammed like a giant flea market—people selling jeans, pots and pans, plastic bags of mango slices….Everything looked familiar and strange at the same time, old and new, I belonged and I didn’t.” Despite a story that feels a bit well-trod, none of the characters seem hastily constructed or come off as clichés. Their pressures and motivations are clearly stated and genuinely felt, and readers will quickly become invested in Mags and his confrontation with an uncertain future. A sense of melodrama flares toward the end as events start to feel less realistic and a little more heightened and Hollywood-ish. But the overall experience is surprisingly nuanced and wholly enjoyable.
A well-crafted, engaging novel about an ex-con trying to break free.Pub Date: Aug. 14, 2016
ISBN: N/A
Page Count: 279
Publisher: Martin Brown Publishers
Review Posted Online: Aug. 4, 2016
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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