by Christine Grabowski ‧ RELEASE DATE: Sept. 12, 2018
An enjoyable teen fantasy involving a school for telepathy.
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A debut YA novel tells the story of a boarding school with a strange secret.
High school freshman Autumn Mattison is surprised to gain acceptance to the elite Dickensen Academy, a boarding school focused on the creative arts in a remote area of the Cascade Mountains. (It’s so remote her cellphone doesn’t have reception.) Autumn writes fiction and has a small internet following, but she never thought she could make it into such a competitive school. She’s excited to finally give her work more attention—and to get out from under the thumb of her controlling father, who wants her to become a doctor. Dickensen seems like a dream. She quickly makes friends, including her roommate, Aditi Singh, and the handsome Ben, whom Autumn takes a particular liking to. But there are undeniably strange aspects of the school. Right before accepting, Autumn had a preternatural dream about walking around campus—one that accurately showed her things that she hadn’t yet seen. It turns out other students had similar dreams that helped convince them to attend the school. In addition, the upperclassmen are oddly exclusive when it comes to freshmen, who are barred from certain areas of campus. Autumn overhears a group of sophomores discussing being sent “outside the fence”—a phrase she assumes refers to the electrical fence that rings the school’s grounds—though she isn’t sure what it means. Then comes an assembly where the principal reveals why these particular students were accepted to the school: for their ability to receive dreams created by an outside party. “You are our next class of dream-makers,” Principal Locke tells them. Will life at boarding school be complicated by 200 teenagers being taught telepathy? Autumn and her friends are about to find out. Grabowski writes in an engaging prose that summons Autumn’s excitement and anxiety while also deftly building the tensions surrounding the school’s mysteries: “After dinner I tried to call home, but the phone lines were down. The internet too….A sophomore informed me it was a frequent occurrence. Dickensen’s official position stated powerful gusts of wind coming through the mountain range caused unreliable service.” Autumn and her fellow students are well-developed and likable, and their interpersonal dynamics drive the plot in a way that feels effortless. The fantasy aspect of the novel is more muted than in other similarly premised works, which will likely please some readers and disappoint others. The major reveal of the school’s true purpose comes earlier than readers will expect, and it removes a lot of the mystery from the rest of the story. Even so, the dream-making process—and Autumn’s successes and failures with it—provides a surprisingly apt metaphor for the concerns and desires of a teen. Rather than skating on the otherworldliness of the premise, Grabowski digs toward some relatable truths that her young readers will likely appreciate. She also avoids some of the more predictable tropes of the genre. Whether it’s a stand-alone or the first installment of a series, the book manages to satisfy and succeed.
An enjoyable teen fantasy involving a school for telepathy.Pub Date: Sept. 12, 2018
ISBN: 978-1-5092-2123-3
Page Count: 348
Publisher: The Wild Rose Press, Inc.
Review Posted Online: Sept. 5, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Graham Swift ‧ RELEASE DATE: April 5, 1996
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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