Full of razors that cut—and razors to cut off shackles: a must.
A slim volume sharp as knives.
Lacing traditional fairy tales through real-life perils, Heppermann produces short poems with raw pain, scathing commentary and fierce liberation. There’s no linear arc; instead, girls buck and fight and hurt. One poem takes the expression “You Go, Girl!” literally, banishing anyone with “wetness, dryness, tightness, looseness, / redness, yellowing, blackheads, whiteheads, the blues.” In a structure heartbreakingly inverted from “The Three Little Pigs” (and nodding to “Rumpelstiltskin”), one girl’s body goes from “a house of bricks, / point guard on the JV team” to “a house of sticks, / kindling in Converse high-tops,” until finally “she’s building herself out of straw / as light as the needle swimming in her bathroom scale. / The smaller the number, the closer to gold.” She’s her own wolf, destroying herself. Sexual repression, molestation and endless beauty judgments bite and sting, causing eating disorders, self-injury, internalization of rules—and rebellion. A hypothetical miller’s daughter says, “No, I can’t spin that room full of straw into gold. / …. / No, I can’t give you the child; / the child will never exist.” Gretel’s act of eating will literally rescue Hansel; Red Riding Hood reclaims sexual agency, declaring, “If that woodsman shows up now, / I will totally kick his ass.”
Full of razors that cut—and razors to cut off shackles: a must. (author’s note, index of first lines, index of photographs) (Poetry. 13-17)Pub Date: Sept. 23, 2014
ISBN: 978-0-06-228957-5
Page Count: 128
Publisher: Greenwillow Books
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
Enlightening, inspiring, and moving.
Pennies, glass bottles, a parking meter, and a kick line: how a police raid became a community’s symbol of freedom.
June 28, 1969: the night the gay bar Stonewall was raided by the police for the second time in a week to stop a blackmail operation. What began as a supposedly routine police raid ended with over 2,000 angry, fed-up protesters fighting against the police in New York’s West Village. Bausum eloquently and thoughtfully recounts it all, from the violent arrest of a young lesbian by the police to an angry, mocking, Broadway-style kick line of young men protesting against New York’s Tactical Control Force. Bausum not only recounts the action of the evening in clear, blow-by-blow journalistic prose, she also is careful to point out assumptions and misunderstandings that might also have occurred during the hot summer night. Her narrative feels fueled by rage and empowerment and the urge to tell the truth. She doesn’t bat an eye when recounting the ways that the LGBT fought to find freedom, love, and the physical manifestations of those feelings, whether at the Stonewall Inn or inside the back of a meat truck parked along the Hudson River. Readers coming of age at a time when state after state is beginning to celebrate gay marriage will be astonished to return to a time when it was a crime for a man to wear a dress.
Enlightening, inspiring, and moving. (Nonfiction. 13-16)Pub Date: May 5, 2015
ISBN: 978-0-670-01679-2
Page Count: 128
Publisher: Viking
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
Readers don’t always need another heroine—sometimes a young woman living an ordinary life in extraordinary circumstances...
Amina Khalid is a sweet, amiable teenager—and a solid counterexample to Islamophobia and negative notions about Somalis.
The 14-year-old Somali Muslim teenager lives in war-fractured Mogadishu. She shares her grenade-damaged home with pregnant Khadija, elderly Ayeeyo, her older brother, Roble, and her father, political artist Samatar Khalid. Unlike the stereotypes of Muslim men oppressing Muslim women and girls, Amina’s loving father and exasperated brother support the “itch in her fingertips” that “[drives] her to keep creating.” Like her dad, Amina creates renegade art—not paintings on canvas like Samatar, but multimedia street art using bombed-out buildings, hoarded charcoal, poetry, cloth strips, and other pieces of her beloved metropolis. Powers’ prose is honest, though descriptions of events such as giving birth as a circumcised woman, kidnappings by real-life Islamist group al-Shabab, and death are sometimes elliptically described. She leavens Amina’s difficult situation with school, crushes, unexpected friendships, faith, spoken-word face-offs, and real-life context as Amina and her fellow citizens reconfigure what “normal” means for their families, city, and, by extension, country. Taken as a whole, this entry in the Through My Eyes series is solid but not gripping—and that’s OK.
Readers don’t always need another heroine—sometimes a young woman living an ordinary life in extraordinary circumstances will wilt stereotypes better than heroics. (map, author’s note, timeline, glossary, further reading) (Fiction. 13-16)Pub Date: July 1, 2015
ISBN: 978-1-74331-249-0
Page Count: 192
Publisher: Allen & Unwin
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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