In this debut novel, a damaged woman seeking to rebuild her life gets drawn into a historical mystery.
McFarland’s protagonist, Cassie McAllister, survived a vicious attack by her ex-husband, James Lancaster, but still bears the physical and mental scars. Since her parents’ recent deaths in a car accident, Cassie is also haunted by a woman’s voice saying “Save her.” Her self-prescribed therapy is to move into and repair an Idaho farmhouse that she inherited. But the home has ghosts, both figurative and literal. In the attic, she discovers the diary of Annie McDonald and gets pulled back into her 1890 world. When Cassie returns to the present, she meets the ghost of Carrington Chambers, Annie’s future husband. Carrington was hung for Annie’s murder, a crime that he didn’t commit. He is a restless spirit who has remained at his former home, refusing to cross over until he finds out the truth about what happened to Annie. He needs Cassie to read Annie’s diary and go back in time to discover the truth about her death. Cassie eventually agrees to help Carrington with his mission despite threats that include Lancaster’s release from prison. In this first installment of her Fate series, McFarland has crafted an admirable heroine in Cassie, who is willing to risk her own life to help Carrington gain some closure. Carrington is also a well-developed character, a twice-convicted murderer in his own time who cares for Cassie’s well-being in the present. This novel manages to be both an intriguing romance and a well-structured mystery, as Cassie tries to uncover who are the friends and foes among Carrington’s acquaintances. But the tale never explains how Carrington manages to maintain a solid physical presence in modern times only to fade away as he gets closer to completing his task. But thanks to the author’s fast-moving narrative, readers are likely to overlook this quibble. What’s more pressing is the increasingly close relationship between Cassie and Carrington, though it seems doomed to be short-lived if they succeed in solving Annie’s murder. What results is a bittersweet and engaging story as Carrington pursues vindication.
An enjoyable tale of reclamation through time travel.Pub Date: Jan. 18, 2020
ISBN: 978-1-73345-300-4
Page Count: 338
Publisher: Silent K Press
Review Posted Online: Feb. 5, 2020
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.
When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.Pub Date: April 23, 2013
ISBN: 978-0-312-57721-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: Feb. 18, 2013
Kirkus Reviews Issue: March 1, 2013
Categories: GENERAL FICTION
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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)
Pub Date: April 1, 1999
ISBN: 0-671-02578-3
Page Count: 320
Publisher: Pocket
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Categories: GENERAL FICTION
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