by Christopher Bollen ‧ RELEASE DATE: June 27, 2017
At once gritty, sandy, and silky—good reading for the beach or a yacht, too.
When a childhood game takes on grown-up dimensions, you just know that things aren’t going to go well. So it is in this latest thriller of the 1 percent by Interview editor Bollen (Orient, 2015, etc.).
Ian Bledsoe once had aspirations to be Richie Rich, but when a seethingly hateful dad failed to deliver on his deathbed, he’s wound up without drachmas or pesos to rub together. It’s a good thing, then, that he’s found a niche in the world doing humanitarian work in the rubble left by the class war, the war on drugs, the war on terror, and every other struggle imaginable. Longtime friend Charalambos Konstantinou—“Charlie” to his non-Greek friends—has different troubles: someone may be gunning for him, given that a bomb has gone off near his yacht and given that his various enterprises seem to involve some of the rubble-making mayhem that Ian has seen up close. So it is that just before the two get together for the first time in five years, Ian finds himself thinking of something Charlie once said: “The only redeeming quality left in a New Yorker is their ability not to take up space.” The erstwhile New Yorker proves adept in not taking up space indeed: he disappears, and Ian follows clues through swaths of Greeks, Turks, Cypriots, Arabs, and Eurotrash, encountering testy Orthodox monks, grim Interpol suspects, and a heaving-breasted former schoolmate (“her palm prints are etched on my rib cage as if I were a window she was frantically trying to open”). Nobody depicts disaffected rich people quite as well as Bollen (“It’s still too hot for Kraków and there’s so much August left. I was thinking Stromboli, or Biarritz, or maybe Sharm el-Sheikh. A friend has a house in Tenerife”), an eminently worthy heir to Patricia Highsmith. If the story goes on a touch too long and has perhaps one too many supporting characters to follow, it makes for a satisfying, literate thriller.
At once gritty, sandy, and silky—good reading for the beach or a yacht, too.Pub Date: June 27, 2017
ISBN: 978-0-06-232998-1
Page Count: 480
Publisher: Harper/HarperCollins
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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