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MY LIFE WITH PRESIDENT KENNEDY

An intelligent and often witty collection of essays for pre-Baby Boomers and Boomers alike. Clausen (English/Penn State; The Moral Imagination, not reviewed) offers nine essays reflecting on the experiences of the '60s generation. In so doing, he attempts to explode some of the most cherished myths about that turbulent decade and the people it spawned. While members of his generation may have nothing more in common than do those of any other age cluster, Clausen notes that it was nevertheless shaped by political, economic, and historical forces very different from those at work when his father came of age. The title piece is a reflection on what President Kennedy meant to him and his peers. Clausen accurately depicts the ambiguity of JFK's record on issues such as Vietnam, Berlin, and civil rights, but he points out that for those who grew up in the early '60s, the idealistic promises of Camelot still grip the imagination. In ``A Decent Impersonality,'' he ruminates on the increase of informality and the use of first names for even casual acquaintances, arguing that it breeds disrespect for the person and the law. ``Reading the Supermarket Tabloids'' is a dead-on account of this growing phenomenon. In ``Dr. Smiles and Mrs. Beeton,'' Clausen reflects on manners, Victorian England, and the rise of the middle class. ``Jack-in-the-Pulpit'' considers changing tastes in vacation spots and activities. All the pieces are broadly autobiographical—some, such as ``Survivors,'' directly, and others only allusively. ``Grandfathers'' and ``Dialogues with the Dead'' are among the many dealing with changing, but still important, notions of family. Clausen's glib style may not be for everyone, and he often comes off, probably unintentionally, as a tad reactionary. But there's enough here to appeal to readers from a broad spectrum.

Pub Date: Oct. 31, 1994

ISBN: 0-87745-472-8

Page Count: 128

Publisher: Univ. of Iowa

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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