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KILLFILE

Farnsworth, author of the fantastical Nathaniel Cade series (Red, White, and Blood, 2012, etc.), stands to expand his...

Hired by billionaire Everett Sloan to determine whether a whiz kid who used to work for his data-mining outfit stole company secrets to start his own operation, mind-reading investigator John Smith finds himself targeted by a conspiratorial group with secret CIA connections.

Years removed from quitting the CIA, which trained him on how to use his skills, Smith is no ordinary telepath. Not only can he "hear" what people are thinking, he also can project thoughts and fears into their heads. The problem is, when he defends himself from an attacker by implanting a traumatizing memory or crippling feeling, he himself retains a percentage of the pain or suffering. High-tech bad boy Eli Preston ("the next Zuckerberg"), the data thief, is so concerned that Smith will reveal his illicit government ties that he wants him 100 percent dead. Though Smith is no slouch at fisticuffs, his powers are neutralized when thugs are delivering blows to his head. He also suffers without his meds, haunted by the memory of interrogators torturing and killing a prisoner in Bagram who was telling the truth when he said he didn't know where Osama bin Laden was. Now on the run, his credit and bank accounts voided by the powerful bad guys, Smith gathers up strength to take on a wider-reaching threat than he envisioned. He gets help and then some from Kelsey Foster, a fetching, now-former associate of Preston's. Though Farnsworth takes his time detailing Smith's past and the military's interest in "mind warfare," that doesn't diminish the appeal of his flip, unusually compelling hero or the up-to-the-minute freshness of the story.

Farnsworth, author of the fantastical Nathaniel Cade series (Red, White, and Blood, 2012, etc.), stands to expand his following with this clever, offbeat thriller.

Pub Date: Aug. 9, 2016

ISBN: 978-0-06-241640-7

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: May 21, 2016

Kirkus Reviews Issue: June 1, 2016

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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  • Kirkus Reviews'
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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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