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JACK FROST

From the A Detective Jack Stratton Novel series

An unequivocal series highlight with a laudable blend of action and mystery.

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Investigating a reality TV show that’s facing threats and accidents, PI Jack Stratton finds himself snowbound with a murderer in the continuation of Greyson’s (The Girl Who Lived, 2017, etc.) thriller series.

Ex-cop Jack and his fiancee, Alice, jump at the chance to do investigative work for McAlister Insurance. The undercover gig involves the reality competition show Planet Survival, which lost a crew member in an avalanche last year and more recently received a note threatening other crew members’ lives. There’s no discernible connection between these events, but the insurance company wants Jack and Alice to ensure they’re unrelated. Producer Leah Coleman, however, wants Jack to travel solo to Mount Minuit with the cast and crew. Alice isn’t happy about Jack going alone, but she can look into the alleged accident at home, and there’s no Wi-Fi or cell service on the mountain. Moreover, she has a lot on her plate. She asks Kiku Inuzuka, a dangerous but dependable female yakuza (Japanese mobster), to help track down the man. On Mount Minuit, Jack poses as the crew’s gofer, enduring bully/cameraman Ollie and the show’s insufferable host, Gavin Maddox. But a menace looms: someone is leaving more threatening messages and sabotaging gear. Aggravating their troubles is a blizzard, which makes it exceedingly difficult to search for the people who go missing, some of whom later turn up dead. While Greyson’s preceding installment was a breezy mystery, this one significantly cranks up the action. The crew, for one, has avalanche charges, which can control when a potential snowslide will occur and likewise pose a constant threat with a killer on the loose. The author fills the pages with atmosphere befitting the turbulent blizzard, including Jack discovering unknown footprints in the snow or short-roped with contestant Chiri during a particularly furious wind. At the same time, there’s a sturdy whodunit running throughout: as Jack struggles to keep himself and others alive, Alice is unraveling the bizarre circumstances of a crew member’s avalanche death. She inches closer to a killer’s identity, which is not immediately revealed to readers. Adding to the already dense mystery is Kiku’s advancing manhunt. The ragtag crew generates myriad murder suspects but also provides fodder for a biting critique of reality shows. The magic of television, for example, presents one individual as wholly capable when the opposite is true. And while Jack, as gofer, incurs blame for most on-set mishaps, the former military man could theoretically be a contestant, using his skills to survive severe weather and a nameless murderer. There are shades of humor, though it’s mostly dark. Perhaps the best moment is Jack assuring everyone he’s not the killer by pointing out that he could—but hasn’t—killed every person in the room.

An unequivocal series highlight with a laudable blend of action and mystery.

Pub Date: April 19, 2018

ISBN: 978-1-68399-083-3

Page Count: 254

Publisher: Greyson Media Associates

Review Posted Online: April 27, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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