Sometimes dense but always engaging account of how the path to freedom was paved, in part, with written words.
Hager (English and American Studies/Trinity Coll.) debuts with an examination of the emerging literacy of slaves and former slaves in the decades around the Civil War.
The author begins his analysis with a document written by a person known to history only as “A Colored Man,” a slave who in 1863 New Orleans, copied and commented on the U.S. Constitution. This text allows Hager the opportunity to outline his case, to speculate about the relationship between freedom and literacy, and to note how many slaves saw literacy as a way to enter a society that had systematically excluded them for centuries. The author focuses on texts that, in most cases, were not published—or written for publication. Although he supplies some history when needed (e.g., Nat Turner and the Emancipation Proclamation), his interest is not so much in external events as in the internal activities that were producing words and texts. He discusses an 1852 letter from Maria Perkins, for example, and notices how some sought to emulate the conventions they had learned from the writing of whites. Hager suggests we need a term for a genre he calls “the enslaved narrative,” personal stories written by people still enslaved, not by the liberated or the escaped. An interesting section involves the writing of William Gould and the gradual emergence of the word we in his diary as he began to feel more a part of the literate world. Another category of documents are the letters of protest written during and after the war by African Americans complaining about their treatment, in some cases their maltreatment by Union soldiers. Hager also examines the emerging publications for black writers and readers.
Sometimes dense but always engaging account of how the path to freedom was paved, in part, with written words.Pub Date: Feb. 11, 2013
ISBN: 978-0-674-05986-3
Page Count: 296
Publisher: Harvard Univ.
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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