Long known for his satirical bent, South African writer Hope (Black Swan, 1987, etc.) here merrily turns colonialism inside out, sending a Bushman on a mission to the Queen of England—a perilous journey indeed among the hostile, uncivilized natives in that sodden land. The story, set in 1993, is narrated, in the unflappable tradition of 19th-century-explorer narratives, by David Mungo Booi, selected by his people to visit the Queen (he's the only one with a knowledge of English) to remind her of her grandmother Victoria's pledge to protect them from harm. But David's misadventures begin as soon as he reaches England. Waylaid at customs and transported to a detention center, he persists in believing it a royal guesthouse until he's led out in shackles to be deported. Saved on the tarmac by a defrocked Anglican Bishop claiming to be his sponsor, David quickly learns the limits of English hospitality when the man's daughter takes too keen an interest in him. Betrayed by his host to a local lord who keeps an African menagerie on his estate, David becomes the object of a hunt himself one day, and only a rescue by a band of New Age gypsies keeps him from the hounds. Further detours can't keep him from his royal mission, and he revisits the ex-Bishop for his gear—among which is a pouch of gems. The sight of the treasure transforms his frothing ex-host into an unctuous, anxious adviser. Cashing them in for a satchel of banknotes, the man of God travels to London with David, persuades him to spend freely to obtain his goal, then departs. In time, however, having emptied his satchel without the desired end, David sneaks into Buckingham Palace, where he finally manages to see the Queen—who isn't quite what he expected. An oddity, ample and keen of wit, and with some wonderful moments—but its droll, sharp, sometimes despairing tone is only sporadically sustained.

Pub Date: Sept. 30, 1996

ISBN: 0-393-04040-2

Page Count: 304

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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