WHERE YOU COME FROM IS GONE

A family of fishermen struggles to evolve with the times in Johnston’s debut literary novel.

The Brennans of Worland, Minnesota, make their living in two ways. The first is commercial fishing on the Lake of the Woods, where for three generations they have caught walleye and sturgeon using pound nets. The second is mink farming—a complementary business, since a diet of fish is, as patriarch Arthur claims, “low cost and produces lustrous fur” in the minks. In 1960, Arthur’s 21-year-old son, Pete, returns home after his two-year stint in the Army, craving freedom and the open water. Arthur puts him to work on the family fishing boat, but on his very first day, Pete accidentally severs his leg with a cable. Pete fears his whole future has been snatched away from him (“In a matter of days, I’d gone from everything possible to nothing possible”), but his fortunes improve with the arrival of Julia, the lovely nurse who helps him adapt to life with a prosthetic. Pete eventually masters his balance enough to get back on the boat. Arthur’s older son, Wayne, a former hockey player and Air Force vet, has been given control of the mink farm, but his drinking is beginning to cause trouble. When new laws against pound nets threaten their livelihood, both Brennan businesses are at risk of capsizing. Into this climate steps the next generation of Brennans in the form of Pete and Julia’s son, Jay, who takes over as narrator from his father about halfway through the novel. When Jay suffers his own fishing boat accident, it seems the family’s fate might finally be sealed.

One gets the sense from Johnston’s plainspoken prose that he intimately knows the setting and the occupations he writes about. Here, Pete shows his sister, Mary, an artist whose marriage to the town’s rival business clan causes interfamily tensions, how to kill a mink: “I shoved the animal headfirst into the shoebox-sized device and held its tail with my right hand. Inside, the animal’s skull was under a steel plate attached to a twelve-inch handle that stuck out the top…A metallic crack bounced off the top of the shed. The animal stopped moving.” The plot’s procession through the decades allows it to nod toward various social changes of the later 20th century (the animal rights movement comes for the mink farm), but in some ways the sweeping time frame works against the book’s dramatic potential—the story ends up being less about the conflicts between its characters than the unsparing passage of time, which comes for all industries and those who work them. When, near the end of the book, a would-be customer asks Pete if he knows where he can get any walleye, Pete replies, with blunt resignation, “I’m the last commercial fisherman on Lake of the Woods and the last walleye fisherman in the United States.” To Johnston’s credit, by the time this line arrives, the reader understands the weight those words carry.

A measured generational family sage about the passing of a way of life.