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BLOOD ECHO

The Burning Girl is losing her spark.

Charlotte Rowe and her Terminator-like abilities return in this follow-up to Bone Music (2018).

Charlotte “Charley” Rowe, aka “Burning Girl,” was raised by serial-killer couple Daniel and Abigail Banning after they killed her mother and kidnapped her when she was a baby. After she was rescued at age 7, she was returned to her father, who promptly exploited her ordeal for profit. Now she’s an adult living in Altamira, California, with her boyfriend, sheriff’s deputy Luke Prescott, and her life, if anything, has only gotten stranger. Just a few months ago, Noah Turlington, Charley’s therapist (who's not really a therapist) used her to test a drug called Zypraxon without her knowledge, and boy did it work. Using fear as a trigger, each pill gives Charley about three hours of superhuman strength. If all that seems exhausting, just wait. Now, she helps Noah’s employer, pharma millionaire Cole Graydon, neutralize serial killers, who are tracked down by Luke’s cybergenius brother, Bailey. Readers may roll their eyes at the tired scenario of Charley posing as a prostitute in order to get taken by a killer (who, of course, skins his female victims), and, adding insult to injury, she gets set on fire at the culmination of the mission. Don’t worry, though, because Zypraxon ensures full healing. Yep, Charley is a bona fide superhero, but readers hoping for more missions that see Charley taking down serial killers may be disappointed, because Luke and Charley uncover a possible terrorist plot that threatens the town, and for Charley, the danger hits very close to home. More is revealed about Cole, who let his romantic interest in Noah cloud his judgment, and Rice has something to say about the devastating effects of childhood trauma and what makes a monster, but much of it gets lost in an overstuffed narrative that relies heavily on expository dialogue and over-the-top action scenes built for maximum shock value.

The Burning Girl is losing her spark.

Pub Date: Feb. 19, 2019

ISBN: 978-1-5039-0435-4

Page Count: 366

Publisher: Thomas & Mercer

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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