Rich, allusive, learned, delightful. (42 illustrations)
A perceptive British museum director speculates on the significance of architectural ruins for artists, writers, and the rest of us.
The author wastes no time establishing his literary and artistic credentials: the first page alone contains allusions to Henry James, The Planet of the Apes, Gustave Doré, and “Ozymandias.” (Shelley’s entire sonnet appears later, as does a lengthy disquisition on his second wife’s dystopian novel, The Last Man.) But Woodward’s considerable skills as a writer make all this—and much more—go down easily; not a breath of pretension emanates from his engaging, illuminating volume. Eleven essays connected by theme and style discuss ruins of all sorts—crumbling antiquities, restorations (some he likes, some he abhors), war-damaged landmarks, even “ruins” created in the age of the picturesque to please the eye and engage the imagination. Woodward roams the Western world (mostly) to examine a variety of sites ranging from Lord Byron’s Newstead Abbey to Dresden’s Frauenkirche, destroyed by Allied bombers in WWII. (An equal-opportunity historian, he examines the responses in England to the Nazi bombing of English churches: some were razed, some, like Coventry, established as memorials.) At Rome’s Baths of Caracalla, in whose lush, verdurous ruins Shelley composed much of Prometheus Unbound, Woodward notes that the poet would not today find much inspiration; assiduous archaeologists have employed weed-killers and a rigid notion of preservation to destroy the allure of the site, which is now all stone and keep-off-the-grass signs. Woodward romantically argues that nature and the ruin must interact if the site is to inspire the artistic imagination. (His own volume, of course, is a counter-argument: he found fecundity in the infertility at Caracalla.) In his essay on the ruins of war and what to do about them, one wonders why he neglects the sites of the Nazi death camps: Auschwitz decays; Bergen-Belsen does not.
Rich, allusive, learned, delightful. (42 illustrations)Pub Date: Oct. 8, 2002
ISBN: 0-375-42199-8
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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