This extraordinary new picture book masterfully tackles the complex task of contextualizing seemingly complex architectural...
Hale turns her educated eye to modern and contemporary architecture and produces a book that is at once groundbreaking, child-friendly and marvelously inclusive.
With a celebratory tone, Hale cleverly structures this unusual picture book by matching a series of lively concrete poems and vignettes of young children at play (creating simple structures of all types) with carefully selected photos of complementary, emblematic 20th- and 21st-century structures. Mud pies are compared to Hassan Fathy’s all-earthen New Gourna Village (Luxor, Egypt); beachfront sand castles to Antoni Gaudí’s soaring La Sagrada Família Basilica (Barcelona, Spain); busy LEGO® projects with Moshe Safdie’s modular Habitat 67 housing (Montréal, Québec); cardboard-tube models to Shigeru Ban’s amazing Paper Tube School (Sichuan Provence, China); tongue-depressor/Popsicle-stick and white-glue crafts with the vertical slats of David Adjaye’s Sclera Pavilion (London, England); and the “soft forms / tumble making / ever-changing / caverns, secret spaces” of pillow forts with Frank Gehry’s curvilinear Guggenheim (Bilbao, Spain). Well-organized and accessible backmatter contains the photo, name and location of each of the 15 highlighted structures, a brief biography of and a telling quote from each structure’s architect, and Hale’s own portrait of each designer.
This extraordinary new picture book masterfully tackles the complex task of contextualizing seemingly complex architectural concepts within a child’s own world of play. (Informational picture book/poetry. 2-8)Pub Date: Oct. 1, 2012
ISBN: 978-1-60060-651-9
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A testament to the universality of love.
An expanded explanation of love in both English and Spanish.
Several animal personalities pose the question, “What is love?” and in a series of lift-the-flap responses present various emotional scenarios. Little Elephant asks Spider, “Is it the joy of having you around?” Spider asks, “Is it the way you lift me when I’m down?” Each page corresponds to a flap that reveals one of a multitude of feelings love can evoke in either an English or Spanish rhyme, which are not direct translations of each other. An interspersed refrain notes, “Amor for the Spanish, / and love en inglés. / Love in any language / always means the same.” A palette of pastels and purple and pink hues dominate as hearts abound on each page, surrounding the characters, who are adorable though on the overly sweet side. The characters are from the bilingual preschool series Canticos, though it will work even among those without knowledge of the show. Children more fluent in Spanish will be better able to appreciate this, and those familiar with the show will recognize the signature characters, including “Los Pollitos” (Little Chickies). (This book was reviewed digitally.)
A testament to the universality of love. (Board book. 3-6)Pub Date: Nov. 8, 2022
ISBN: 978-1-945635-72-4
Page Count: 24
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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