THE GIRLS IN CABIN NUMBER THREE

This second volume in Braun’s trilogy continues exploring the hidden histories of guests at a California bed-and-breakfast, now under new ownership.

Eighty-year-old interior designer Annie Parker has just completed her first year as the proprietor of a seven-cabin B&B that she bought on impulse while visiting Lake Arrowhead and recovering from a broken marriage. She’s been working on a long-term redecorating project for her most lucrative client, Grayson Underwood, an elegant, wealthy part-time resident. She also meets Carrie Davis, a stylish older woman who grew up in Lake Arrowhead and returned after a painful divorce to care for her elderly mother; she becomes not only a new customer for Annie, but a new friend, as well. Carrie’s mother left the lake house to her, and she’s ready to sort through decades of family keepsakes and begin redecorating—a project that unexpectedly reveals her mother’s secrets. Meanwhile, Annie and Noah Chambers, a local construction contractor, have become a couple, although neither has fully committed to the relationship, which results in jealousy and conflict. Noah believes that Grayson is interested in Annie romantically, and Annie worries that Noah’s new client, Bunny Bryant, has amorous intentions. Following the format established in the series opener, Annie and Carrie alternate narration in a story in which the cabins serve as an intersection point. Local history surrounding the Tudor House, a popular local venue for weddings, events, and musical productions, plays an important, surprising role in Carrie’s history and adds an intriguing element to the narrative; in the 1920s and '30s, it was owned by an infamous mobster and was a speak-easy retreat for Hollywood luminaries: “There were photos of Bugsy Siegel helping a woman out of a car, others of well-known actors coming up to the mountains, including Jack Benny and Jimmy Durante." Annie’s story, as in the first volume, contains an overabundance of decorating details, including schematic drawings of rooms she’s redesigning, but this time Braun places greater focus on the more engaging issue of Annie’s challenging relationships.

Personal drama and historical tidbits combine nicely for a quick and entertaining read.