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A Hollywood fantasy that’s all about hurt until the very end, which is so much worse.

The modern architect of transgressive fiction returns with the tale of a sonic artist looking for the perfect scream.

Palahniuk dives deep into Hollywood noir with a grotesque and outrageous stand-alone that marries the sexual deviance of Snuff (2008) with the late-stage sadism of Bret Easton Ellis. Reminding us from the beginning, “Keep Telling Yourself It’s Only a Movie,” Palahniuk thrusts us into the demented world of one Mitzi Ives, a pill-popping, masochistic, borderline psychotic woman whose specialty in her profession as a freelance Foley artist is capturing the screams of people in the worst agony of their lives. Her narrative runs parallel to that of Gates Foster, an investigator who specializes in tracking down pedophiles. Also in the mix is fading movie star Blush Gentry, whose autobiography, Oscarpocalypse Now, interrupts the torture scenes from time to time, as well as Schlo, the inevitably creepy movie producer. The figure that ties all these deviants together is Dr. Adamah, nominally the physician for Mitzi but, at the book’s core, its real villain. You have to give Palahniuk credit, because there’s just nobody like him when it comes to skeeving out readers, but as in many of his nihilist fancies, there’s nobody to root for here. Gates is a bit useless in the detective department, and Mitzi quite literally disses her boyfriend, Jimmy, because he “only managed to knock out one of her front teeth.” Palahniuk is an acquired taste, and fans will appreciate the story that scrapes like fingernails on a chalkboard and the familiar post-capitalism end-of-the-world vibe, but it might be a little too close for comfort for less amenable readers.

A Hollywood fantasy that’s all about hurt until the very end, which is so much worse.

Pub Date: Sept. 8, 2020

ISBN: 978-1-5387-1800-1

Page Count: 240

Publisher: Grand Central Publishing

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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Well-paced excitement as the Ryans come through again.

Echoes of Tom Clancy’s The Hunt for Red October reverberate four decades after the late author’s famous debut.

In 1984, Dimitri Gorov plans to deliver details of the advanced Soviet submarine Red October to the Americans, but Marko Ramius has already defected and delivered the boat itself. Gorov dies and now, decades later, his son Konstantin captains the Belgorod, Russia’s most advanced sub. Said sub goes rogue along with its nuclear-tipped torpedoes that can penetrate American defenses and blow up some of our coastal cities, or “wipe the American Atlantic fleet off the map.” Driven by multiple grievances, Konstantin wants to do just that, but a painful illness may bring him down. Meanwhile, young Navy lieutenant Kathleen (Katie, please) Ryan plays one of several key roles in trying to stop World War III. She’s smart and appealing and tries hard to downplay the fact that she’s President Jack Ryan’s daughter—“Daddy’s little girl,” as a snarky officer says to her face. In one nail-biting scene a helicopter tries to transfer her from a ship to a submarine in the open ocean. As with every novel in the series, readers are treated to a ton of technical details and asides that slow the reading occasionally, but without which it would not be a Clancy yarn. And of course, there is the obligatory establishment of what fine all-around Americans the Ryans are. Plenty of well-crafted characters, Russian and American, make up the cast. War begins to brew as a Russian MiG is shot down and troubles threaten to escalate. At one point, Katie “felt like the entire world was barreling toward oblivion and she was the only one who could stop it.” But wait: Late in the game, Konstantin muses, “There is nothing the Americans can do to stop me.” Who is right? Hmm, that’s a tough one. In her proud father’s mind, Lieutenant Ryan becomes “Katie—my little girl turned naval officer overnight.”

Well-paced excitement as the Ryans come through again.

Pub Date: May 21, 2024

ISBN: 9780593422878

Page Count: 560

Publisher: Putnam

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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A great premise leads through all the twists you’d expect to a thoroughly muddy final movement.

Sports agent Myron Bolitar meets the Setup Serial Killer, who’s found a highly effective way to keep anyone from connecting the dots.

There’s no arguing with DNA evidence, the ultimate forensic clincher. So when basketball player Greg Downing’s DNA is found on the scene where retired model Cecelia Callister and her son, Clay, were killed, the FBI comes calling on Myron to ask where they can find Greg. Myron’s a reasonable person to ask because Greg was his schoolmate and former client, the man who wooed and won Myron’s girlfriend away from him and made her Emily Downing. Try as he might, though, Myron can’t help much beyond repeating the obvious: Greg died three years ago, and his body was cremated. Since the Feds aren’t about to give up their search, Myron and his partner, financial advisor Win Lockwood, decide they’d better see if they can get ahead of this story by confirming or contradicting the story of Greg’s death. Meantime, a series of interleaved episodes show the killer eliminating a series of primary targets and framing secondary targets so convincingly for the murders, with special thanks to planted DNA, that it never occurs to the police to connect crimes that were so readily solved on their own. Complications arise when Myron’s thrown together with Jeremy Downing, the son he fathered in a pre-wedding tryst with Emily and then passed off as Greg’s, and when the allies of mob boss Joseph “Joey the Toe” Turant, who was locked up four years ago after his DNA-fueled conviction for the murder of Jordan Kravat, decide to lean on Myron to get him to reveal where Greg is.

A great premise leads through all the twists you’d expect to a thoroughly muddy final movement.

Pub Date: May 14, 2024

ISBN: 9781538756317

Page Count: 368

Publisher: Grand Central Publishing

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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