Middling true crime: Cindy’s story would have benefited from a better presentation.
Overheated account of murder in a tony Long Island enclave.
Sixteen-year-old Cindy Band arrived home in Old Westbury one night in the late 1970s to find an investigation underway into the purportedly accidental death of her mother Florence. Suspicion soon focused on her father Howard, portrayed by Cindy and coauthor Malear (Murder and Mayhem, not reviewed) as harsh, abusive, and manipulative. Detective Jack Sharkey perceived crime scene evidence contradicting Howard’s story, including indications that Florence had been tied up before her “fall.” Although sister Paula sided with their father, Cindy cooperated with Sharkey. This enraged the volatile Howard, who’d begun openly dating his mistress Liz, a local travel agent he ultimately married. Her father assaulted Cindy, threatened through Liz to kidnap her following his eventual indictment, and tried to discredit her grand-jury testimony by conniving to have her involuntarily held in a mental hospital for ten days. The third-person narrative alternates between following Cindy through these ordeals and watching Sharkey pursue the case. In the end, Howard was convicted of second-degree murder, and Cindy and Paula reconciled after the verdict. While serving his sentence, Howard divorced Liz, who then married one of his fellow prisoners, also a convicted murderer. Later, on his jailhouse deathbed, Howard finally confessed his guilt to Cindy and claimed Liz had helped him, as the cops had suspected. Compelling elements here include an examination of spousal abuse hidden within upright households and a tart portrait of Long Island’s brittle, moneyed suburbia. The account on the whole, however, suffers badly from chaotic, underedited prose that emphasizes unnecessary description and veers from improbable nonsense (a presumably experienced police officer muses, “How could a guy possibly kill his wife? To Sharkey, it was inconceivable, but of course, it happened too often”) through melodrama (“Her own father was a murderer and she both hated and pitied him”) into plain old clumsiness (“The two men sipped from their cups of coffee thoughtfully, both deep in thought”).
Middling true crime: Cindy’s story would have benefited from a better presentation.Pub Date: Sept. 1, 2002
ISBN: 0-88282-221-7
Page Count: 320
Publisher: New Horizon
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2002
A highly readable account of how solid research and personal testing of self-help techniques saved a couple's marriage after...
Self-help advice and personal reflections on avoiding spousal fights while raising children.
Before her daughter was born, bestselling author Dunn (Why Is My Mother Getting a Tattoo?: And Other Questions I Wish I Never Had to Ask, 2009, etc.) enjoyed steady work and a happy marriage. However, once she became a mother, there never seemed to be enough time, sleep, and especially help from her husband. Little irritations became monumental obstacles between them, which led to major battles. Consequently, they turned to expensive couples' therapy to help them regain some peace in life. In a combination of memoir and advice that can be found in most couples' therapy self-help books, Dunn provides an inside look at her own vexing issues and the solutions she and her husband used to prevent them from appearing in divorce court. They struggled with age-old battles fought between men and women—e.g., frequency of sex, who does more housework, who should get up with the child in the middle of the night, why women need to have a clean house, why men need more alone time, and many more. What Dunn learned via therapy, talks with other parents, and research was that there is no perfect solution to the many dynamics that surface once couples become parents. But by using time-tested techniques, she and her husband learned to listen, show empathy, and adjust so that their former status as a happy couple could safely and peacefully morph into a happy family. Readers familiar with Dunn's honest and humorous writing will appreciate the behind-the-scenes look at her own semi-messy family life, and those who need guidance through the rough spots can glean advice while being entertained—all without spending lots of money on couples’ therapy.
A highly readable account of how solid research and personal testing of self-help techniques saved a couple's marriage after the birth of their child.Pub Date: March 21, 2017
ISBN: 978-0-316-26710-6
Page Count: 272
Publisher: Little, Brown
Review Posted Online: Jan. 17, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.
Ruminations and reminiscences of an author—now in his 70s—about fatherhood, writing, and death.
O’Brien (July, July, 2002, etc.), who achieved considerable literary fame with both Going After Cacciato (1978) and The Things They Carried (1990), returns with an eclectic assembly of pieces that grow increasingly valedictory as the idea of mortality creeps in. (The title comes from the author’s uncertainty about his ability to assemble these pieces in a single volume.) He begins and ends with a letter: The initial one is to his first son (from 2003); the terminal one, to his two sons, both of whom are now teens (the present). Throughout the book, there are a number of recurring sections: “Home School” (lessons for his sons to accomplish), “The Magic Show” (about his long interest in magic), and “Pride” (about his feelings for his sons’ accomplishments). O’Brien also writes often about his own father. One literary figure emerges as almost a member of the family: Ernest Hemingway. The author loves Hemingway’s work (except when he doesn’t) and often gives his sons some of Papa’s most celebrated stories to read and think and write about. Near the end is a kind of stand-alone essay about Hemingway’s writings about war and death, which O’Brien realizes is Hemingway’s real subject. Other celebrated literary figures pop up in the text, including Elizabeth Bishop, Andrew Marvell, George Orwell, and Flannery O’Connor. Although O’Brien’s strong anti-war feelings are prominent throughout, his principal interest is fatherhood—specifically, at becoming a father later in his life and realizing that he will miss so much of his sons’ lives. He includes touching and amusing stories about his toddler sons, about the sadness he felt when his older son became a teen and began to distance himself, and about his anguish when his sons failed at something.
A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.Pub Date: Oct. 14, 2019
ISBN: 978-0-618-03970-8
Page Count: 384
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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