There's a need for a good book for kids about Ansel Adams—and this one misses the mark.
This distillation of the photographer’s life and achievements focuses on his “antsy” youth and early influences.
A distracted, sickly student, Ansel reveled in nature along the beaches near his San Francisco home. He blossomed after his prescient father withdrew him from formal schooling, enabling home tutoring and such experiences as a season ticket to San Francisco’s 1915 world’s fair. Effectively employing onomatopoeia, Jenson-Elliott reveals 14-year-old Ansel’s pivotal experience at Yosemite. On a family trip, “Ansel got his first glimpse of Yosemite Valley—the ripple-rush-ROAR! of water and light! Light! Light! It was love at first sight.” In Yosemite, his parents gave him his first camera, and “he was off— Run-leap-scramble—SNAP!…Ansel’s photos became a / journal of everything he saw.” The final five double-page spreads compress 60-plus years: photography expeditions in Yosemite, marriage to Virginia Best, Adams’ government-commissioned work documenting the national parks, and the enduring importance of his photographic record of the American wild lands. Hale’s collages blend traditional and digital layering and include cropped photographic images such as Adams’ childhood home and wood-paneled station wagon. Her stylized depiction of Yosemite’s Half Dome and decision to render several iconic photographs as painterly thumbnails display a jarring disregard for Adams’ lifelong absorption with technical and visual precision.
There's a need for a good book for kids about Ansel Adams—and this one misses the mark. (biographical note, photographs with note, bibliography of adult resources, websites) (Informational picture book. 6-9)Pub Date: Sept. 6, 2016
ISBN: 978-1-62779-082-6
Page Count: 32
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
A worthy message delivered with a generous dose of inclusivity.
Sharing books brings children from multiple backgrounds together in this companion to Stacey’s Extraordinary Words (2021).
Again lightly burnishing actual childhood memories, voting rights activist and former gubernatorial candidate Abrams recalls reaching out as a young book lover to Julie, a new Vietnamese classmate shy about reading in English. Choosing books to read and discuss together on weekly excursions to the school’s library, the two are soon joined by enough other children from Gambia, South Korea, and elsewhere that their beaming librarian, Mr. McCormick, who is dark-skinned, sets up an after-school club. Later, Julie adds some give and take to their friendship by helping Stacey overcome her own reluctance to join the other children on the playground. Though views of the library seen through a faint golden haze flecked with stars go a little over the top (school librarians may disagree), Thomas fills the space with animated, bright-eyed young faces clustering intimately together over books and rendered in various shades beneath a range of hairstyles and head coverings. The author underscores the diversity of the cast by slipping scattered comments in Spanish, Wolof, and other languages into the dialogue and, after extolling throughout the power of books and stories to make new friends as well as open imaginations to new experiences and identities, brings all of her themes together in an afterword capped by an excellent list of recommended picture books. (This book was reviewed digitally.)
A worthy message delivered with a generous dose of inclusivity. (Picture-book memoir. 6-9)Pub Date: Dec. 13, 2022
ISBN: 978-0-06-327185-2
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
PERSPECTIVES
In 1946 Nova Scotia, Viola Desmond thought to pass an afternoon at the movies while waiting for her car to be repaired. Desmond was the owner of her own beauty salon and founder of the Desmond School of Beauty Culture to train black students. She sat downstairs at the Roseland Theatre, although black people were supposed to sit in the balcony. She refused to move, was arrested and held in jail overnight. Throughout her trial and subsequent appeal, no one would admit that this was a racial issue. Instead the judge focused on the tiny differential in ticket price and fined her $20, then worth ten times what it is today. Using a cadenced style that echoes the oral tradition of African-Canadians, Warner recounts the story simply, allowing children to see raw discrimination for what it was. Rudnicki uses bold acrylics in vivid colors to tell the story. He captures the style, dress and look of the period, and the flap copy notes his images were based on archival photographs. An historical note with a couple of bibliographic citations offers more background. (Picture book. 6-9)
Pub Date: Nov. 1, 2010
ISBN: 978-0-88899-779-1
Page Count: 32
Publisher: Groundwood
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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