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UNDER THE ASHES

Readers are sure to overlook craft flaws as they fall in love with spunky Beth.

Debut author Rankin breathes life into the story of the 1906 San Francisco earthquake.

Nothing has been going right for white 11-year-old Elizabeth “Littlebeth” Morgan. She’d rather read dime novels than be “a proper, refined young lady.” After an incident involving a rattlesnake proves to be the last straw for her parents, she is shipped off to her aunt in San Francisco, a change that they hope will “take the sass out of that lass.” Shortly after narrator Littlebeth arrives, San Francisco is hit by the catastrophic earthquake of 1906, throwing the city and her life into utter chaos. Although Beth (she renames herself in San Francisco) ultimately returns home relatively unscathed, Rankin does not hesitate to show (forgoing gruesome details) that not everyone, including her protagonist’s aunt, is so lucky. An intriguing cast of secondary characters—including her Presbyterian aunt’s Jewish beau, the opera star Enrico Caruso, and a newly immigrated young Chinese girl—adds diversity. Each chapter header states Beth’s location and the date, and readers with knowledge of the impending disaster will find an increased sense of anticipation as the day of the earthquake looms closer. The occasional blatant foreshadowing (“I’m afraid we’re tossing her out of the frying pan and into the—”) and the frequent lack of initial pronoun use in the narration feel self-conscious.

Readers are sure to overlook craft flaws as they fall in love with spunky Beth. (Historical fiction. 9-12)

Pub Date: Nov. 1, 2016

ISBN: 978-0-8075-3635-3

Page Count: 256

Publisher: Whitman

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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