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MALAYA

ESSAYS ON FREEDOM

A sturdy transitional volume that finds Barnes reflecting on her first and anticipating her next.

A collection of essays extends and expands on the themes introduced in the author’s highly regarded memoir, Monsoon Mansion (2018).

Barnes’ first book introduced a gifted writer with a compelling story about her life in the Philippines. After her father left the family, her mother became unstable. The author was adopted by an American family, but the law said she was too old for the necessary paperwork, so she remained an undocumented teenager, working jobs that paid her in cash—e.g., cleaning houses, taking care of children, working at a laundry and at a cafe. Her schoolwork promised a pathway out, and she did well, particularly after switching to a journalism major and finding her voice and the stories that only she could tell. Barnes married a fellow graduate student, a white man raised in the South, who was the first in his family to marry a woman of color. Then the couple had a baby girl, a mixed-race child in the South, and questions of belonging and assimilation became exponentially more complicated. “He’s well aware of the sadness of this place,” the author writes of her husband, “how lonely it must be for me—an outsider who married someone who also feels like an outsider.” He says that it kills him to know that here, I talk, but without the freedom to speak about topics that interest me.” Though childbirth brought emotional trauma and postpartum depression, it also opened the creative floodgates. “My body had given birth to a human, but my body also wanted to expel something more,” writes Barnes. “It wanted to flush out the accumulation of hurt and sorrow and fear, three things all immigrants pack with them….My memories let out onto paper and bled onto the page as words, phrases, sentences, paragraphs.” Those paragraphs became essays, and those collected here have enough cohesion and continuity that they could almost pass as a second volume of memoir.

A sturdy transitional volume that finds Barnes reflecting on her first and anticipating her next.

Pub Date: Oct. 29, 2019

ISBN: 978-1-5420-9330-9

Page Count: 200

Publisher: Little A

Review Posted Online: Aug. 3, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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