A thriller with an endlessly twisty plot and plenty of lingering questions for a third book to answer.
A California cold-case division finds that the disappearance of a B-movie director/producer isn’t nearly as straightforward as it initially seems in Booth’s (Olive Park, 2011) sequel.
Fresh off the closing of the infamous Olive Park murders, the three members of Sacramento’s On-Going Investigation Division are ready to move on. But their next case is a surprise, as it involves a recently missing person: James Marston Jr., who runs Molten Pitchers, a production company that specializes in low-budget horror films. IT expert Mallory Dimante, a fan of Marston’s schlock, hopes to be more than just an assistant to detectives Stan Wyld and Jake Steiner on this assignment. She and Jake head to Marston’s house and soon learn that the filmmaker was a bit of a recluse and may have been missing a week or more before anyone noticed. OID eventually finds Marston—or some of him, at least—but some body parts left in a BMW complicate matters, as they belong to someone else. Soon, a recently released ex-con seems a likely suspect. Meanwhile, private investigator Peter Berlin may have found a link between the producer and the previous Olive Park case. At the same time, siblings Michael and Jessie Cooper, two Olive Park survivors, are dodging Child Protective Services as their aunt recovers in the hospital. They’re unaware that a dangerous person is after them for a seemingly innocent item they’re carrying. The novel’s ties to the series’ first book are gleefully intricate, but they also mean that reading the prior installment is a requirement. There’s an abundance of shocking moments, including details surrounding Marston’s will, cryptic notes from PI Berlin, and a witness who saw someone near the producer’s car. The pieces of the puzzle don’t all come together by the end, leaving much of the story unexplained—hopefully to be resolved in the planned trilogy’s conclusion. But this one does reveal a villain or two and puts an OID member’s life on the line. It’s also fun to watch the imperiled Michael try to squeeze money from a production company that’s working on an Olive Park–related project.
A thriller with an endlessly twisty plot and plenty of lingering questions for a third book to answer.Pub Date: Aug. 10, 2016
ISBN: 978-0-9838329-2-8
Page Count: 386
Publisher: Dog Ear Publisher
Review Posted Online: Aug. 24, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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