Best of all, the final pages find Box’s hard-used hero both triumphantly successful and in deep trouble once again in...
A new governor demanding special favors means a new assignment and new problems for Wyoming Fish and Game Warden Joe Pickett.
It’s not Gov. Colter Allen’s fault that high-profile British ad-agency CEO Kate Shelford-Longden disappeared somewhere between Silver Creek Ranch, the ultra-posh dude ranch where she’d just spent a week been pampered within an inch of her life, and the Denver airport several months ago. But his wife and other folks are leaning on him, so he leans on Joe (Vicious Circle, 2017, etc.) to drive the 300 miles to Saratoga in the depth of a January freeze and get the answers that have eluded Carbon County Sheriff Ron Neal and the Wyoming Department of Criminal Investigation. Bullied by the governor, Joe agrees to look into the case. Luckily, he has an in: His daughter, Sheridan, who’s been working at Silver Creek as a horse wrangler, got fairly close to the missing woman and knows all the ins and outs of the place. The staff at Silver Creek has been vetted more closely than most vice presidential candidates, but several contractors with access to the ranch seem suspicious enough to make likely suspects. Before Joe can make any real progress, though, the case notes he’s been given by Connor Hanlon, the governor’s dislikable chief of staff, are stolen, and his old friend Nate Romanowski, the “outlaw falconer” he’s been specifically ordered to keep away from, drops in to ask Joe a serious, albeit apparently unrelated, favor. The case turns out, rather disappointingly, to be two cases. But it’s a treat to see Joe’s daughter pulled into working with her father; there’s an unexpected role for his reptilian mother-in-law, the imperishable Missy Vankueren; a false lead he follows will have readers whooping with laughter; and both cases are wound up in highly satisfactory ways.
Best of all, the final pages find Box’s hard-used hero both triumphantly successful and in deep trouble once again in perhaps the most finely balanced conclusion in this rewarding series.Pub Date: March 27, 2018
ISBN: 978-0-399-17662-3
Page Count: 400
Publisher: Putnam
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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