Obsessive Procol Harum collectors—and there are bound to be one or two of them out there—will find this an essential...
A Danish fan’s notes on the baroque British pop band that turned a talent for quoting Bach into a worldwide hit record.
Procol Harum—whose name does not come from some pseudo-Latin sorcerer’s tag, as some desperate critics have said, but was instead borrowed from a pet cat—made it big early in its career, charting a weeks-long number-one record in 1967 with “A Whiter Shade of Pale.” (In its first incarnation, as a blue-eyed-soul quartet called the Paramounts, the band toured with the Beatles and the Rolling Stones—but their recorded covers of such tunes as “Poison Ivy” and “Turn on Your Love Light” have not stood up well to the passing of time.) Led by classically trained keyboard players Gary Brooker and Matthew Fisher, and backed by guitar wizard Robin Trower and a tight rhythm section, the band turned in several albums that are regarded as art-rock classics, including “Shine On Brightly” and “A Salty Dog.” It eventually fell apart under the strain of vaulting egos and mind-altering substances—only to reunite, of course, in the 1990s to capture its share of the nostalgia market. Indisputably fine and influential though Procol Harum was in its day, the band made its share of dogs; as Johansen writes, toward the end of its life in the late 1970s the band “did probably the worst thing anyone could have done . . . they released a weedy progressive rock album.” Johansen’s book does a serviceable job of charting the band from glorious rise to inglorious fall, but it suffers from the author’s reliance on contemporary press clippings and generally unrevealing interviews with surviving members of the original lineup and from his failure to connect the Procol Harum story to larger themes in pop-culture history.
Obsessive Procol Harum collectors—and there are bound to be one or two of them out there—will find this an essential acquisition.Pub Date: July 1, 2000
ISBN: 0-946719-28-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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