by Claire A. Nivola ; illustrated by Claire A. Nivola ‧ RELEASE DATE: May 6, 2014
An affirmation that it is all worthwhile, better suited, perhaps, to adolescents who will appreciate a look at where they...
A fanciful, thoughtful examination of a life well-lived.
As if building on the notion that we are all made of the stuff of stars, the author opens with the Star Child asking his “elders” if he may visit Earth. Their explanations of what he will need to do—“be born as a human child”—and what he will experience throughout his life on Earth make up the text of the book. Simple lines start with the basics, such as learning to walk, run and speak, then move on to more abstract concepts, describing feelings of pleasure, fear and sadness. These are paired with detailed, folk-art–style watercolor paintings and vignettes that seem to capture an earlier time: His mother is often in skirts; he rides a bike without a helmet or shoes; and no glowing electronic devices compete with fireflies. What the Star Child may do in adulthood is condensed: “Over the years you will try to make sense of that happy, sad, full, empty, always-shifting life you are in.” He may even forget where he came from and find it difficult to leave when the time comes. There’s no doubt that the sentiment is lovely, but it seems ill-matched to an audience that is still in the throes of becoming.
An affirmation that it is all worthwhile, better suited, perhaps, to adolescents who will appreciate a look at where they have been and what they may expect in the future and to older adults who will enjoy the philosophical bent. (Picture book. 6 & up)Pub Date: May 6, 2014
ISBN: 978-0-374-37182-1
Page Count: 40
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Katherine Marsh ; illustrated by Kelly Murphy
by Mae Respicio ‧ RELEASE DATE: June 12, 2018
This delightful debut welcomes readers in like a house filled with love.
A 13-year-old biracial girl longs to build the house of her dreams.
For Lou Bulosan-Nelson, normal is her “gigantic extended family squished into Lola’s for every holiday imaginable.” She shares a bedroom with her Filipina mother, Minda—a former interior-design major and current nurse-to-be—in Lola Celina’s San Francisco home. From her deceased white father, Michael, Lou inherited “not-so-Filipino features,” his love for architecture, and some land. Lou’s quietude implies her keen eye for details, but her passion for creating with her hands resonates loudly. Pining for something to claim as her own, she plans to construct a house from the ground up. When her mom considers moving out of state for a potential job and Lou’s land is at risk of being auctioned off, Lou stays resilient, gathering support from both friends and family to make her dream a reality. Respicio authentically depicts the richness of Philippine culture, incorporating Filipino language, insights into Lou’s family history, and well-crafted descriptions of customs, such as the birdlike Tinikling dance and eating kamayan style (with one’s hands), throughout. Lou’s story gives voice to Filipino youth, addressing cultural differences, the importance of bayanihan (community), and the true meaning of home.
This delightful debut welcomes readers in like a house filled with love. (Fiction. 8-13)Pub Date: June 12, 2018
ISBN: 978-1-5247-1794-0
Page Count: 240
Publisher: Wendy Lamb/Random
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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