Excellent for art lovers and for potential art lovers; both will be hooked by the search.
Art appreciation, taught with a puzzle element.
With an 11-by-15–inch trim size, this impressive volume opens to spreads almost 2 feet across, each featuring one piece of fine art. Outside every artwork’s border float 10 to 12 small circles, each circle reproducing a detail from that spread’s spotlighted piece. The charge to readers: locate each detail’s location in the full piece. Although this structurally recalls Martin Handford’s Where’s Waldo, the chance to pore over high-quality reproductions of complex and varied masterpieces strongly elevates this search in both appeal and sophistication. Short essays at the end discuss the works’ genres, contexts, and media. There’s also an answer key. Of the 23 pieces, Jackson Pollock’s Convergence makes the hardest puzzle because of its complete abstraction and close, frenetic squiggles of paint; the others either are representational (the Aztec manuscript Codex Borbonicus; Pierre-Auguste Renoir’s Bal du moulin de la Galette) or feature distinct, identifiable shapes (Pablo Picasso’s Guernica, black-and-white and stunning in this big, glossy format). Each isolated detail appears slightly larger than in the main piece, enhancing understanding; for example, Jan Van Eyck’s Madonna with Canon van der Paele magnifies an eye, emphasizing that facial expression’s complexity.
Excellent for art lovers and for potential art lovers; both will be hooked by the search. (answer key, locations of art) (Nonfiction. 6-13)Pub Date: Oct. 3, 2017
ISBN: 978-1-61689-421-4
Page Count: 64
Publisher: Princeton Architectural Press
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
This genuinely clever math book uses rhyming couplets and riddles, as well as visual cues to help the reader find new ways to group numbers for quick counting. It’s a return to number sets, with none of those boring parentheses and <>signs. Here the rhyme gives a clue to the new ways of grouping numbers. For example: “Mama mia, pizza pie, / How many mushrooms do you spy? / Please don’t count them, it’s too slow, / This hot pie was made to go! / Let me give you some advice, / Just do half and count it twice.” A quick look at the pizza, and the reader can see each slice has the same number of mushrooms. Count by threes for half the pie, and double it. Each rhyme is given a double-page spread. The extra-large, brightly colored images leap off the page but never distract from the author’s intent. Some riddles are very challenging, but the author provides all the solutions in the back. Once the reader has seen the answers, the strategy is obvious and can be applied to other situations. Great fun for math enthusiasts and creative thinkers, this might also teach adults some new tricks. A winning addition. (Nonfiction. 7-10)
Pub Date: Feb. 1, 2001
ISBN: 0-439-21033-X
Page Count: 40
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
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