THE GOOD GIRLS

Someone is breaking the small-town silence in this teen noir.

Jefferson-Lorne, Colorado, is a small town, and its girls are labeled: slut (Claude Vanderly), airhead (Avery Cross), and cutthroat academic (Gwen Sayer). As all grapple with their reputations, their complicated romantic relationships, and the dark rumors that plague the high school, cheerleader Emma Baines goes missing after making a bold accusation. When police investigate Emma’s disappearance (and apparent death), the three girls come under suspicion even as they secretly seek justice. Not only do they navigate the petty scandals of high school and parental power struggles, the girls also tackle bigger issues like body image, substance abuse, sexuality, and consent. Bartlett, author of The Winter Duke (2020), continues her exploration of queer and feminist issues but grounds it in an all-too-real modern world with real monsters. Clearly attempting to avoid revealing the core crime too early, the novel begins with slow pacing, relentless shifts in narrators, and a minefield of misdirection and distractions before barreling toward a well-calculated and high-stakes climax. The young women’s rage and regret are palpable, and their reactions to trauma and drama are realistic even if their solutions are improbably elaborate. The main cast reads as White; they vary in their living situations, income levels, and sexuality, and there is ethnic diversity in the supporting cast. A solid addition to the traumatized teen mystery genre.

Revenge served cold.