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In Your Name, I Write

A dense, abstract philosophical work for the very patient and the very curious.

Fukouara expounds on common philosophical concepts in her debut work.

As explained in a pair of introductions by artist Cillia Darmizin, Fukouara is a mystic and healer from New Caledonia who’s had visions of other worlds ever since childhood. Her book seems meant to offer a regimen of intellectual “healing,” using words as a “means towards relief, towards taking a new stand, towards self-improvement and even self-questioning.” Translated from the French by Michel Pérez, the book is broken down into brief segments; each explores a specific concept, such as “Ego,” “Unhappiness,” or “Chance,” for about half a page. A few discussion questions follow each short essay, such as, “Is chance the projection of doubt?” Interspersed among the topics are photographs of Darmizin’s art, which is generally abstract in style but represents a variety of different types of media. The overall effect is closer to a work of poetry than one of philosophy or self-improvement. Fukouara’s prose seems to be guided by a symbolic sensibility rather than one based on semantic logic, which occasionally results in some aesthetically intriguing ideas (“Light is the innocence of transparency”). However, it mostly creates confusion for readers attempting to find a cohesive philosophical argument. Although Fukouara seems to suggest the existence of a metaphysical system of beliefs or behaviors (“Fire is the twig. It means the permission to reach the mystery of repelling evil”), she never outlines it in any discernable way. If the book’s goal is simply to provide food for thought in hopes of challenging notions of language and perception, then readers may gain something from it. However, if the author is trying to articulate a specific set of instructions for the purpose of “self-improvement and even self-questioning,” it’s hard to view the work as a success. In either case, the book feels like a set of opaque directions leading to an undefined destination.

A dense, abstract philosophical work for the very patient and the very curious.

Pub Date: Jan. 10, 2015

ISBN: N/A

Page Count: -

Publisher: Amazon Digital Services

Review Posted Online: Feb. 13, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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