A heartbreaking but deeply humane story about parents and children.
A modern Irish classic, first published in 2010, finally makes its way to America.
At the beginning of this pristine novella, a young, unnamed girl is sent to stay with childless relatives at their farm in County Wexford, Ireland, for the summer. Her parents have temporarily disposed of her due to her mother’s latest pregnancy and the strain of feeding their large family. Despite having been unceremoniously abandoned with relatives she barely knows, Keegan’s narrator quickly warms to Mr. and Mrs. Kinsella and blossoms under their care. While her father views her as little more than a burden and a potential tool—“She’ll ate,” he tells the Kinsellas, “but ye can work her”—and her mother is eager to get rid of her, her foster parents not only bathe, clothe, and feed her, but also provide her with enough care and attention to expand her conception of what family and love can be. Sadly, though, her golden summer cannot last forever. Like all of Keegan’s work, including last year’s Booker Prize–longlisted Small Things Like These, this novella is both concise and gut-wrenching. Her superficially simple prose persuasively conveys a child’s sometimes-innocent but always careful and insightful observations of the world. Keegan suggests that children see and understand more than adults might like to think without turning her narrator into a miniature grown-up. “Walking back along the path and through the fields, holding her hand, I feel I have her balanced,” the narrator reflects, thinking of Mrs. Kinsella. “I try to remember another time when I felt like this and am sad because I can’t remember a time, and happy, too, because I cannot.” The novella crescendos in a final scene that will inspire many to call their fathers—once they’ve finished weeping.
A heartbreaking but deeply humane story about parents and children.Pub Date: Nov. 1, 2022
ISBN: 978-0-8021-6014-0
Page Count: 96
Publisher: Grove
Review Posted Online: Oct. 4, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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