A starter fractured fairy tale for readers not yet ready for The True Story of the Three Little Pigs
Will the Big Bad Wolf have his revenge on those three little pigs?
After the three little pigs captured the Big Bad Wolf in a pot of boiling water and sent him to Happily Never After Prison, the residents of Fairyland dubbed the little porkers THE THREE LITTLE SUPERPIGS (always referred to in all-caps). As the heroes fight crime all over Fairyland (and relish the attention from their fans), the Big Bad Wolf plots alone in his cell. Soon bricks begin vanishing from all over the realm, and the Wolf escapes from prison! All the denizens of Fairyland hide in their homes. Try as they might, the pigs can’t find the Wolf or the bricks…until he finds them and uses the bricks to capture the SUPERPIGS. Can they escape his trap—or is their bacon fried? Evans’ smart twist on the familiar tale will elicit giggles at its clever wordplay and fairy-tale cameos. The details in the (probably) digitally created, brightly colored illustrations will make repeated readings as much fun as the first—a police lineup of grandmas with an oh-so-obvious Wolf is particularly funny. All three pigs are male, and human residents of Fairyland all present white.
A starter fractured fairy tale for readers not yet ready for The True Story of the Three Little Pigs (. (Picture book. 2-7)Pub Date: July 31, 2018
ISBN: 978-1-338-24545-5
Page Count: 40
Publisher: Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
So sweet it’ll have readers heading for their toothbrushes.
Another entry in the how-much-I-love-you genre.
The opening spread shows a blue elephant-and-child pair, the child atop the adult, white hearts arcing between their uplifted trunks: “You’re a gift and a blessing in every way. / I love you more each and every day.” From there, the adult elephant goes on to tell the child how they are loved more than all sorts of things, some rhyming better than others: “I love you more than all the spaghetti served in Rome, // and more than each and every dog loves her bone.” More than stars, fireflies, “all the languages spoken in the world,” “all the dancers that have ever twirled,” all the kisses ever given and miles ever driven, “all the adventures you have ahead,” and “all the peanut butter and jelly spread on bread!” Representative of all the world’s languages are “I love you” in several languages (with no pronunciation help): English, Sioux, French, German, Swahili, Spanish, Hawaiian, Chinese, and Arabic (these two last in Roman characters only). Bold colors and simple illustrations with no distracting details keep readers’ focus on the main ideas. Dashed lines give the artwork (and at least one word on every spread) the look of 2-D sewn toys.
So sweet it’ll have readers heading for their toothbrushes. (Picture book. 2-6)Pub Date: Dec. 4, 2018
ISBN: 978-1-4926-8398-8
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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