THE HOUSE OF DEAD MAIDS

Pagan magic, Heathcliff’s back story and a lot of scary dead maids: Dunkle’s knack for the creepy (By These Ten Bones, 2005) sets spines tingling. Woodcut-style chapter-head illustrations ratchet up the spook factor, especially those depicting corpses and ghosts. When Tabby becomes the “Young Maid” at Seldom House, she finds herself in a strange world, where she is expected to do little other than look after a bloodthirsty, nameless little boy, the “Young Master.” Seldom House and the neighboring village have no church, and dead maids haunt Tabby. Gradually she realizes she and the Young Master are marked for sacrifice (“It’s an honor to be given to the land,” one of the villagers tells her). While it seems clear from the start that Tabby will survive (she narrates the story from a later vantage point), it is not until the end that the connection to Wuthering Heights becomes clear. For readers familiar with Brontë’s novel, the final connection is a masterstroke; even those who don’t get it will find this a keeper. (Horror. 12 & up)

Pub Date: Sept. 28, 2010

ISBN: 978-0-8050-9116-8

Page Count: 160

Publisher: Henry Holt

Review Posted Online: Aug. 2, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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Sensitive subject matter that could have benefited from a subtler, more sober touch.

RESISTANCE

A Jewish girl joins up with Polish resistance groups to fight for her people against the evils of the Holocaust.

Chaya Lindner is forcibly separated from her family when they are consigned to the Jewish ghetto in Krakow. The 16-year-old is taken in by the leaders of Akiva, a fledgling Jewish resistance group that offers her the opportunity to become a courier, using her fair coloring to pass for Polish and sneak into ghettos to smuggle in supplies and information. Chaya’s missions quickly become more dangerous, taking her on a perilous journey from a disastrous mission in Krakow to the ghastly ghetto of Lodz and eventually to Warsaw to aid the Jews there in their gathering uprising inside the walls of the ghetto. Through it all, she is partnered with a secretive young girl whom she is reluctant to trust. The trajectory of the narrative skews toward the sensational, highlighting moments of resistance via cinematic action sequences but not pausing to linger on the emotional toll of the Holocaust’s atrocities. Younger readers without sufficient historical knowledge may not appreciate the gravity of the events depicted. The principal characters lack depth, and their actions and the situations they find themselves in often require too much suspension of disbelief to pass for realism.

Sensitive subject matter that could have benefited from a subtler, more sober touch. (afterword) (Historical fiction. 12-16)

Pub Date: Aug. 28, 2018

ISBN: 978-1-338-14847-3

Page Count: 400

Publisher: Scholastic

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: June 15, 2018

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A must-read graphic novel that is both heart-rending and beautifully hopeful.

WHITE BIRD

A WONDER STORY

A grandmother shares her story of survival as a Jew in France during World War II.

As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.

A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)

Pub Date: Oct. 1, 2019

ISBN: 978-0-525-64553-5

Page Count: 224

Publisher: Knopf

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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