Not so much a failure as a missed opportunity—a potentially nuanced story about one’s capacity for forgiveness that gives...

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NATURAL FLIGHTS OF THE HUMAN MIND

A pair of solitary souls confront their old ghosts in Morrall’s follow-up to the Man Booker–nominated Astonishing Splashes of Colour (2004).

Peter Straker is extraordinarily wracked by guilt: He holds himself responsible for the deaths of 78 people in a train wreck nearly 25 years ago, and since the accident he’s been living quietly—indeed, practically mute—in a lighthouse on the Devon coast. The son of a wealthy family, he has the means to do nothing but give himself hell for his actions, rarely letting the accident escape his mind. Unwittingly entering his life is mousy, cranky Imogen Doody, who has a host of problems of her own: She bears the weight of her sister’s suicide; her husband has abandoned her; and though she’s just inherited a house near the lighthouse, she has no idea how to manage it after years of neglect have rotted the place. What ensues during the first half of the novel isn’t a romance but a smartly rendered portrait of how these two emotionally stunted, selfish souls learn simply to talk to one another; Morrall has an excellent ear for dialogue, which clarifies Imogen’s unthinkingly critical attitude and Peter’s outsize capacity for self-flagellation. In the year that follows, Imogen’s home becomes more liveable, her relationship with Peter gains some warmth and Morrall offers more details on the extent to which Peter is responsible for the train wreck, while the relatives of those killed plot to confront him. Morrall is a fine stylist, and while her story is much more propulsive than most hefty meditations on guilt and shame, it also suffers from a distracting tidiness that saps its energy in the later chapters. The cracks in Imogen’s home and Peter’s lighthouse make neat metaphors for their broken pasts, and the characters who arrive by the end exist mainly to offer platitudes about conquering demons.

Not so much a failure as a missed opportunity—a potentially nuanced story about one’s capacity for forgiveness that gives way to movie-of-the-week sentimentality.

Pub Date: June 16, 2006

ISBN: 0-06-084336-5

Page Count: 416

Publisher: Perennial/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2006

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Another success for the publishing phenom.

UNDER CURRENTS

An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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A clever, romantic, sexy love story.

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RED, WHITE & ROYAL BLUE

The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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