by Clare Sambrook ‧ RELEASE DATE: July 21, 2005
Plausible and at times compelling: a debut showing considerable technical accomplishment, although the story is essentially...
A family tragedy seen through the eyes of a child.
British author Sambrook pulls off a risky high-wire act, narrating her debut novel from the point-of-view of nine-year-old Harry Pickles, whose younger brother Dan goes missing on a school trip to Legoland. Previously a happy, popular child with a healthily dismissive, physically boisterous attitude toward his sibling, Harry is now transfixed both by his own guilt for not doing a better job of watching out for Dan and by confusion at the disintegration of all he holds dear. At home, his parents argue endlessly, and he overhears an indelible statement by his mother: “Harry’s not enough.” At school, he is an object of gossip, pity and then rejection by his gang of friends. Throughout all this, Sambrook avoids sentimentality, for the most part, keeping the perceptions simple and delicate. She cleverly balances a child’s preoccupations (smells, food, sports, cool things, embarrassment) with Harry’s innocent, tortured attempts to understand unfairness and evil, as well as with his growing anger at his parents, Mo and Dom, for forgetting about their other son, the one who’s still there. Dom, a doctor, internalizes his pain, while Mo, a journalist, starts to lose her grip on reality. The two separate and Mo steals a baby, which she passes off to Harry as her own, and then she attempts suicide. It falls to Harry’s Aunt Joan and Uncle Otis to offer practical life lessons, which swing between the comic (clothes) and the heartbreaking (that the family will get beyond, but never over, the loss of Dan). The story winds down a little more cloyingly, with the family grieving together, Mo recovering with the aid of counseling, and Harry back in the game at school after an unlikely act of heroism and a farewell conversation with Dan’s invisible friend.
Plausible and at times compelling: a debut showing considerable technical accomplishment, although the story is essentially slender and its emotional impact glancing.Pub Date: July 21, 2005
ISBN: 1-84195-653-8
Page Count: 288
Publisher: Canongate
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2005
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Mark Z. Danielewski ‧ RELEASE DATE: March 6, 2000
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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