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THE BLACK HISTORY OF THE WHITE HOUSE

A lively, opinionated survey, telling a story that the textbooks too often overlook.

Comprehensive, decidedly non-neutral, history of the African-American presence in American political life through perhaps its most representative place.

“The black history of the White House,” writes scholar and journalist Lusane (Political Science/American Univ.; Colin Powell and Condoleezza Rice: Foreign Policy, Race, and the New American Century, 2006, etc.), “begins in the pre-revolutionary period, during which future occupants of the White House first laid the foundation of what was to become more than two-centuries of race-based cruelty, exclusion, and violence.” That sentence speaks directly to the outlook of this book, which carefully documents the travails of a polity in which African-Americans were so essential and prevalent, but that struggled endlessly to maintain, then dismantle, the institution of slavery, and then could never quite accept the notion that all people are created equal—an idea put to pen by Thomas Jefferson even as his slave Richard “quietly brought him his nightly tea.” Lusane is unsparing. In his analysis, an icon such as Dolley Madison is found deeply wanting for having reneged on her promise to free her “mulatto man Paul,” instead selling him at a bargain price—even after he had paid her to secure his freedom. The author capably uses the tools of sociology and history, but he seems most at home at the intersection of politics and popular culture. He writes engagingly of the long tradition of African-American opera stars appearing at the White House through the presidency of Theodore Roosevelt, a tradition revived only during Franklin Roosevelt’s first administration; and of the later tradition of jazz performances at the White House, one that only George H.W. Bush did not observe (though son George W. Bush did). Lusane closes with a consideration of African-American efforts to secure a political place within the White House, from Marcus Garvey to Shirley Chisholm, Dick Gregory, Al Sharpton, Jesse Jackson and, of course, Barack Obama.

A lively, opinionated survey, telling a story that the textbooks too often overlook.

Pub Date: Jan. 1, 2011

ISBN: 978-0-87286-532-7

Page Count: 534

Publisher: City Lights

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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