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PAPERS SOLDIERS

THE AMERICAN PRESS AND THE VIETNAM WAR

A tellingly detailed overview that casts a cold eye on the US media's vaunted role in the Vietnam War. While conventional wisdom holds that the press exerted substantive, even decisive, influence over home-front opinion and the course of the protracted conflict, Wyatt (History/Centre College) concludes that, on the whole, news coverage was neither actively adversarial nor remarkably antiestablishment. Without overstating the case, he draws on the public record and archival material to show that correspondents generally were singularly uncritical of the information they obtained from the American military and its civilian superiors. Only when official sources clammed up, lied, or were overtaken by events (as during the Tet Offensive) did the fourth estate's dispatches and broadcasts betray anything akin to skepticism. In fact, Wyatt notes, US news organizations tended to report the frequently unrealistic, party- line construals of cold warriors in Saigon, Washington, or elsewhere as fact even if their on-the-scene representatives urged caution. To a great extent, the author argues, American journalists were inclined to treat combat throughout Southeast Asia as a sort of police beat. At the tacit behest of their stateside editors, moreover, they largely ignored the tangled issues of Vietnamese politics, focusing instead on the short-run fates of US facilities and forces. Citing chapter and verse, the author documents how ethnocentricity remained a dominant theme of field coverage throughout the fighting. Not until full-scale troop withdrawals were under way during the early 1970's did the American people learn about three of the war's biggest stories—the My Lai massacre, the secret bombing of Cambodia, and the Pentagon Papers. Disclosure of these headline-making scandals, Wyatt observes, was attributable to tips checked out by US-based reporters, not to investigative digging by foreign correspondents. Revisionist perspectives that shed new light on an American institution unlikely to reappraise, let alone critique, its performance during a watershed era. (Maps—not seen.)

Pub Date: April 19, 1993

ISBN: 0-393-03061-X

Page Count: 256

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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