An engrossing, imaginative dystopian thriller.
Boutwell tells the story of a young soldier navigating the chasm between two opposing societies in this sci-fi debut.
In the 22nd century, the United States has been replaced by a number of successor states. The Democratic Unity of America is a military-controlled dictatorship of the young, fueled by drugs and implants, in which people over 40 are forced into retirement (and often worse than that). West of the Unity are the outlands, a low-tech wilderness where the Sisis (senior citizens) still live. Malila Evanova Chiu, a foulmouthed 17-year-old officer in the Defensive Unity Forces for Security, is sent out to take control of a troublesome station deep in the heart of outlander territory. Plans go awry, and Malila quickly finds herself caught up in the machinations of an inconceivably old Sisi, Johnstone, who possesses information about world history that sets Malila’s head spinning. What’s more, she finds that she’s a pawn in the plot of an aging DUFS lieutenant colonel to further his own dark ambitions. Malila must sift the facts from the truth—and control her own rash temper—to help right the injustices of the system into which she was born. The mythology of this world is dense, as are the jargon and references that Boutwell sprinkles throughout his prose; luckily, he provides a glossary and timeline at the end of the novel. It takes some getting used to, but readers will quickly acclimate. Beneath the worldbuilding, Boutwell’s prose is sharp and efficient: “Malila awoke, her ears ringing and too dazed to move....An ax and sheathed knife threaded onto a broad leather belt hung from a small branch near her head. Only when she moved to retrieve them did she comprehend she had been bound, her wrists tied behind her back and her legs tied at the ankles.” The story takes a while to get moving, but once it does, it does not pause. The book is neither as didactic nor as allegorical as the premise might suggest; rather, Boutwell creates an immersive world where provocative ideas propel a darkly satisfying adventure.
An engrossing, imaginative dystopian thriller.Pub Date: Oct. 21, 2015
ISBN: 978-1491775653
Page Count: 394
Publisher: iUniverse
Review Posted Online: Sept. 23, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Review Program: Kirkus Indie
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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