Another worthy entry in this love-and-fangs series.
In the third installment of their horror series, Hays and McFall (The Cowboy and the Vampire: Blood and Whiskey, 2014, etc.) return to LonePine, Wyoming, as human Tucker and vampire Lizzie discover that they have a whole new type of bloodsucker to worry about.
The world of vampires is dying out, as they’re unable to turn humans to replenish their ranks. But in LonePine, the nine vampire tribes have at last found a prophesied savior. Is it Lizzie, their new queen, who wields the power to save their kind, or is it her unborn child? Time will tell; for now, Tucker and Lizzie are just trying to enjoy a respite—and maybe even get married—now that a semblance of peace has been reached. But before they can say “I do,” a well-trained mercenary group kidnaps Lizzie. There’s no ransom and no demands; the man that hired them, fat-cat businessman Auscor Kingman, has other plans. With the help of Dr. Louisa Burkett, a scientist who will do anything to have one last shot at vindicating her theories, he intends to use Lizzie’s blood to synthesize a cure for human aging—and make a fortune selling it. As research begins, Burkett uncovers the existence of the Meta, the otherworldly plane where all vampires’ consciousnesses go during daylight hours—and where humans’ souls go when they die. While this discovery opens up new business opportunities, it also lets Elita, Lizzie’s friend and bodyguard, and Rurik, a Russian rival for the queen’s affections, know that Lizzie is still alive. Now it’s a race for the mixed-species rescuers (human, vampire and Tucker’s dog, Rex) to save Lizzie and her unborn child. This series is intended for audiences who like blood and bullets along with their romance, and the prose here is sharp and to the point, much like the majority of the characters. Although the plot this time around is fairly straightforward, its events result in dire consequences for the star-crossed lovers. With pulse-pounding action, ongoing intrigue over the fate of vampire-kind, and the tumultuous struggles of Tucker and Lizzie’s love story, Hays and McFall once again deliver a thoroughly entertaining novel for readers to sink their teeth into.
Another worthy entry in this love-and-fangs series.Pub Date: May 5, 2014
ISBN: 978-0-9838200-4-8
Page Count: 346
Publisher: Pumpjack Press
Review Posted Online: May 4, 2014
Kirkus Reviews Issue: June 1, 2014
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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