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DAUGHTER by Claudia Dey

DAUGHTER

by Claudia Dey

Pub Date: Sept. 12th, 2023
ISBN: 9780374609702
Publisher: Farrar, Straus and Giroux

Dey, a Canadian playwright and novelist, offers a detailed account of family relations when the father is a famous writer.

Narrator Mona Dean, herself a playwright, sums up the whole novel early on: “I had never gotten over my childhood.” Eighteen years earlier, when Mona was 11, her father, Paul, left her mother, Natasha, for his second wife, Cherry. Cherry poisoned him against Mona and her older sister, Juliet, so both girls, like their mother, suffered abandonment. Mona still suffers. A former boxer whose critically acclaimed novel shares the title of Dey’s, Paul comes across as a horrible hybrid of Mailer and Hemingway. (Not coincidentally, Mona performs in her own one-woman play about Hemingway’s doomed granddaughter, Margot; its first line is “To be loved by your father is to be loved by God.”) Mona’s internal dialogue dominates. Even when other characters’ perspectives are offered in occasional third-person descriptions, one senses that Mona, like a novelist, is imagining them to support her own belief that Cherry is an evil stepmother and Eva, Paul and Cherry’s daughter, a malignant half sister. Along with bouts of extreme grief, depression, and jealousy, Mona suffers a litany of trials: her parents’ divorce, an abortion at 15, rape in graduate school, a pregnancy ending in a stillbirth followed by a life-threatening medical crisis. Each incident is real and traumatic, but together the list feels like authorial overkill. So does Mona’s frequent self-congratulation. She makes it clear that she’s renowned for her talent and beauty and crows about her handsome and adoring partner; her loyal, remarkably forgiving best friend; and the unwavering support she’s received from Natasha and Juliet. As for Paul, Mona (or the author) can’t help excusing the wishy-washy narcissist because the poor guy has been manipulated by Cherry and is tortured over his writing. Actually, everyone in this novel is tortured.

Expect sharp observations and fluid prose; don’t expect a sense of humor. Dey’s characters take themselves very seriously.